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Review of Rose Plays Julie (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 17 Sep 2021

Occasionally frustrating, but worth getting frustrated about…

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Review of Old Henry (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 17 Sep 2021

An atmospheric slice of vintage Americana that shows there’s plenty of life left in seasoned Western archetypes, Old Henry gets much of its…

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Review of Montana Story (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 17 Sep 2021

This is a minor-key modern Western whose melancholy probe into the bruising past gives way, in a quietly satisfying conclusion, to the hope…

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Review of The Eyes of Tammy Faye (2021)

By David Fear (910) for Rolling Stone (4,035) on 17 Sep 2021

Jessica Chastain isn’t just the reason to seek out The Eyes of Tammy Faye — she’s the only reason to see this curiously tepid biopic at all…

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Review of Becoming Cousteau (2021)

By Chris Barsanti (896) for The Playlist (3,871) on 17 Sep 2021

Where “Becoming Cousteau” frustrates at times is its thin treatment of Cousteau’s work…

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Review of Listening to Kenny G (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 17 Sep 2021

[Lane] proves yet again that nobody can tonally marry edification and entertainment onscreen so effortlessly. It’s masterful…

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Review of A Banquet (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 17 Sep 2021

All four main actors deliver great performances…

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Review of Worth (2021)

By Alejandro970 (859) on 17 Sep 2021

La tragedia del 11 de septiembre ahora como la base de un dilema moral, sobre si es correcto valuar las pérdidas humanas como si fueran objetos…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Alejandro970 (859) on 17 Sep 2021

I do not know if it is true that the superhero genre is saturated or exhausted; how true it is here knows how to combine this genre with martial…

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Review of I'm Your Man (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 17 Sep 2021

This is, perhaps, a movie easy to oversell…

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Review of My Name Is Pauli Murray (2021)

By Lisa Kennedy (833) for Variety (12,700) on 17 Sep 2021

Although she died in 1985 at the age of 74, the human rights activist, lawyer, poet, professor and first Black woman to be ordained an Episcopal…

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Review of The Survivor (2022)

By Jason Bailey (832) for The Playlist (3,871) on 17 Sep 2021

The Survivor is occasionally infected by the aridness of the handsome, well-made historical film — it feels old-fashioned, in both the complimentary…

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Review of The Survivor (2022)

By Jason Bailey (832) for The Playlist (3,871) on 17 Sep 2021

The Survivor is occasionally infected by the aridness of the handsome, well-made historical film — it feels old-fashioned, in both the complimentary…

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Review of Everybody's Talking About Jamie (2021)

By Tara Brady (805) for The Irish Times (483) on 17 Sep 2021

Everybody’s Talking About Jamie, for all its razzle-dazzle, never loses sight of its northern working-class roots…

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Review of The Mad Women's Ball (2021)

By Tara Brady (805) for The Irish Times (483) on 17 Sep 2021

The director and star deftly juggles social commentary, genre tension, spookiness and some fabulous period costumes (courtesy of designer Maïra…

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Review of Everybody's Talking About Jamie (2021)

By Tara Brady (805) for The Irish Times (483) on 17 Sep 2021

Everybody’s Talking About Jamie, for all its razzle-dazzle, never loses sight of its northern working-class roots…

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Review of Prisoners of the Ghostland (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 17 Sep 2021

It is an overstuffed, manic, exhausting piece of instant movie-meme catnip – likely impenetrable to all but the hardest of hardcore genre devotees…

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Review of The Mad Women's Ball (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Sep 2021

Laurent, an actress known Stateside for movies like Inglorious Basterds and Beginners, has adapted Ball from the bestselling novel by Victoria…

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Review of Cry Macho (2021)

By Sara Stewart (700) for New York Post (6,650) on 17 Sep 2021

Some of the acting feels cardboard; the plot points are never shocking. Eastwood’s love interest is about four decades his junior…

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Review of The Eyes of Tammy Faye (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 17 Sep 2021

The Eyes of Tammy Faye, which was written by Abe Sylvia, is unable to decide if it wants to understand its subject or make fun of her, and…

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