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Review of Venom: Let There Be Carnage (2021)

By Kendra22 (1) on 07 Oct 2021

It was funny, bizarre and entertaining. It’s an acquired taste, many may find it cheesy, but I loved it, can’t wait until I can watch it again…

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Review of The Harder They Fall (2021)

By Julio Bruno (1) for Time Out (7,510) on 07 Oct 2021

If The Harder They Fall occasionally feels like a collection of music-video riffs, each with its own momentum and rhythm, and it drags a touch…

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Review of Ma (2019)

By Trashsorano (1) on 07 Oct 2021

Despite from the lazy, disappointing, underwhelming, unconvincing ending that ruined the whole movie, it was a great experience from the beginning…

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Review of The Harder They Fall (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 06 Oct 2021

Every shot, every scene, every exchange from The Harder They Fall is combat-ready and garishly tensed for violence – and Samuel certainly…

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Review of Lamb (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 06 Oct 2021

The narrative doesn’t generate much interest; the nature of the ultimate ending is discernible from a distance, and the movie’s message…

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Review of LAMB (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 06 Oct 2021

The narrative doesn’t generate much interest; the nature of the ultimate ending is discernible from a distance, and the movie’s message…

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Review of The Harder They Fall (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 06 Oct 2021

The Harder They Fall is fueled by Tarantino-style energy and grim wit, and if nothing else, it’s a spectacle—those glossy, muscular horses,…

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Review of Titane (2021)

By Jluis_001 (2,242) on 06 Oct 2021

Titane, from the flaming Palm d'Or winner Julia Ducournau, it's a story about identity that unfortunately shows too many plot cracks and narrative…

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Review of Lamb (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 06 Oct 2021

Lamb is weird and disturbing, even by the standards of the movie’s indie distributor, A24, which is known for its eclectic and times unsettling…

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Review of LAMB (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 06 Oct 2021

Lamb is weird and disturbing, even by the standards of the movie’s indie distributor, A24, which is known for its eclectic and times unsettling…

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Review of The Harder They Fall (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 06 Oct 2021

It feels like a Blazing Saddles gag writ large – no bad thing – and the jab of Mel Brooks humour it provides feels considerably more inspired…

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Review of The Harder They Fall (2021)

By Peter Debruge (1,557) for Variety (12,700) on 06 Oct 2021

As much fun as Majors, Elba, Beetz and King are to watch in roles that allow for plenty of scenery chewing (and oh what scenery…

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Review of The Harder They Fall (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 06 Oct 2021

Big, bombastic and full-blooded, Jeymes Samuel’s neo-Western might tick off plenty of the tropes of the genre, but the outlaw energy he brings…

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Review of Ascension (2021)

By Allan Hunter (1,486) for Screen Daily (1,021) on 06 Oct 2021

Never appearing to judge any situation, Kingdon confidently allows the images to tell a fascinating, universal story of inequality and class…

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Review of The Harder They Fall (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 06 Oct 2021

As a representative display of historical-but-reimagined players on well-worn ground, The Harder They Fall has undeniable pop, but as a movie…

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Review of The Harder They Fall (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Oct 2021

This tense, propulsive, and ultra-glossy Netflix oater might lay a thick new Jay-Z track over the opening credits (of a film that he also produced)…

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Review of Titane (2021)

By Richard Brody (868) for The New Yorker (1,837) on 06 Oct 2021

Despite its physical horrors, the movie is also a celebration of the body, of the bond between pleasure and pain, agony and ecstasy—and that…

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Review of No Time to Die (2021)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 06 Oct 2021

No Time to Die is neither lean nor mean; it’s a hard-working attempt to reconcile the Bond rituals with a series-finale emotional weight…

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Review of The Harder They Fall (2021)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 06 Oct 2021

The cast has chemistry in all directions, between the romantic matchups but just as much among the menfolk as they bicker, bond and berate…

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Review of There's Someone Inside Your House (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 06 Oct 2021

Why the murderer feels compelled to don a 3-D printed mask of each victim’s own face isn’t entirely clear—nothing about, say, recording…

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