Review of Titane (2021) by Richard Brody for The New Yorker — 06 Oct 2021
Despite its physical horrors, the movie is also a celebration of the body, of the bond between pleasure and pain, agony and ecstasy—and that fusion proves to hold for family bonds as well. But the psychology and the practicalities of the story are ultimately thinly sketched, the abrupt transitions calculated to elide reflection in repose.
The movie is too specific and detailed to be starkly and abstractly symbolic, yet too vague and general to convey the complexity and density of a relationship.
You can read the full review where it was originally posted online.
This review of Titane (2021) was written by Richard Brody and published by The New Yorker on 06 Oct 2021.
Titane has generally received positive reviews.
Was this review helpful?
Yes
No
