Browse Movie Reviews - Page 2,846 of 258,691

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Review of Mayor Pete (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 15 Oct 2021

As a window into the campaign process, Mayor Pete doesn’t match the perspective or dramatic payoff of Moss’ last film, Boys State, co-directed…

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Review of Introducing, Selma Blair (2021)

By Brian Lowry (913) for CNN (497) on 15 Oct 2021

It's an intense experience, one whose focus is undeniably stirring but which leaves certain aspects of Blair's life and resume somewhat…

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Review of Everybody's Talking About Jamie (2021)

By Alejandro970 (859) on 15 Oct 2021

Under the shadow of films - also British - such as The Full Monty and Billy Elliot, and inspired by a true story, it follows and well the outline…

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Review of Everybody's Talking About Jamie (2021)

By Alejandro970 (859) on 15 Oct 2021

Under the shadow of films - also British - such as The Full Monty and Billy Elliot, and inspired by a true story, it follows and well the outline…

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Review of The Chorus (2004)

By Filipeneto (856) on 15 Oct 2021

This film takes place in the mid-twentieth century, in a French reformatory for children who are orphans or who have had legal problems…

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Review of Venom: Let There Be Carnage (2021)

By Tara Brady (805) for The Irish Times (483) on 15 Oct 2021

As with its frantic copyright-countdown predecessor, Venom 2 is, by any metric, a bad movie…

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Review of The Blazing World (2021)

By Guy Lodge (731) for Variety (12,700) on 15 Oct 2021

Ambitious but tediously precious, sincerely conceived but derivatively realized, The Blazing World throws an ornate heap of production design…

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Review of The Blazing World (2021)

By Kate Erbland (681) for IndieWire (3,631) on 15 Oct 2021

It’s an imperfect debut, but it holds thrilling promise for what comes next…

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Review of Bergman Island (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 15 Oct 2021

In its glimpse into the lives of partnered-up fictional directors, Bergman Island invites its viewer to guess how much it’s a reflection…

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Review of The Debt (2010)

By Mauro_Lanari (665) on 15 Oct 2021

(Mauro Lanari) Chaotic, melodramatic, untimely: I would have liked to hear some response from the Jews to the provocative questions of the…

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Review of Every Breath You Take (2021)

By Mauro_Lanari (665) on 15 Oct 2021

(Mauro Lanari) By now they are defined movies in Casey Affleck style, yet this time he has even surpassed itself for the worse: All psychiatrists…

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Review of Halloween Kills (2021)

By Panchogul (602) on 15 Oct 2021

Mantiene la misma línea de su predecesora estrenada en el 2018 continuando la historia inmediatamente después del final de la anterior mencionada…

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Review of Halloween Kills (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 15 Oct 2021

Maybe Halloween Kills will make more sense when the finale of the trilogy, Halloween Ends, gives those themes some context…

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Review of The Velvet Underground (2021)

By Ian Freer (515) for Empire (3,446) on 15 Oct 2021

The Verdict Underground is hypnotic but clear-eyed, finding a different way to put a musical biography on film…

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Review of Luzzu (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 15 Oct 2021

Luzzu is a moving portrait of a world in flux, and one man attempting to survive the changes thrust upon him by a baffling outside world…

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Review of Freeland (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 15 Oct 2021

It’s a contemplative film that manages to whisk the audience away to an unfamiliar land whose off-the-grid survival you can’t help but root for…

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Review of Live at Mister Kelly's (2021)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 15 Oct 2021

With his film, Bogosian remembers a springboard venue in the evolution of the uniquely American artforms of jazz and comedy…

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Review of The Last Duel (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 15 Oct 2021

A tale of power and misogyny masquerading as honor, the film is engaging and occasionally funny, embracing its themes despite a narrative imbalance…

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Review of Needle in a Timestack (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 15 Oct 2021

While Needle in a Timestack aims to be profound, it loses itself within the sci-fi premise rather than exploring the central romance in any detail…

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Review of Madres (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 15 Oct 2021

Madres is extremely fragmented and painfully subpar, wasting a chance to tell an intriguing, nuanced story that is still an issue in the present…

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