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Review of Halloween Kills (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 15 Oct 2021

Halloween Kills is one of the better sequels (put it alongside Halloween 4 and H20 and a shade below the 2018 production) and contains all…

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Review of The Man Who Sold His Skin (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 15 Oct 2021

The supposedly important themes of immigrants and Syria are cancelled by its naive flippancy…

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Review of Halloween Kills (2021)

By Peter Travers (3,602) for ABC News (186) on 15 Oct 2021

It gets the job done for trick-or-treat season, but this sequel falls short of expectations by sidelining its luminous star Jamie Lee Curtis…

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Review of Halloween Kills (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 15 Oct 2021

It’s average. If you like this sort of movie, knock yourself out…

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Review of Dune (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 15 Oct 2021

The jaw-dropping visuals and pulse-pounding sound editing in Dennis Villeneuve’s stunningly gorgeous Dune are so awesome it makes up for…

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Review of Bergman Island (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 15 Oct 2021

Movies about artists trying to make art might be deadly, but movies about people living are where it’s at…

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Review of Lamb (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 15 Oct 2021

If you can get on its moodily monstrous wavelength, the movie will have you asking why we let some animals sleep on our beds and put others in pens…

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Review of Dune (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 15 Oct 2021

There’s a tactile quality to the film—the way softly glowing lamps float alongside characters in dark hallways or fabrics drape around…

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Review of LAMB (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 15 Oct 2021

If you can get on its moodily monstrous wavelength, the movie will have you asking why we let some animals sleep on our beds and put others in pens…

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Review of The Blazing World (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 15 Oct 2021

There’s plenty of imagination on display in The Blazing World, but it’s buried amidst the narrative and stylistic self-indulgence that…

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Review of The Man Who Sold His Skin (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 15 Oct 2021

Provocative and challenging, if not the most subtle piece of political commentary, the film certainly cements Kaouther Ben Hania as a name…

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Review of Introducing, Selma Blair (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 15 Oct 2021

It’s impossible to watch Introducing, Selma Blair and not feel deeply moved…

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Review of Hard Luck Love Song (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Oct 2021

Justin Corsbie’s debut would buy you a drink if you couldn’t afford one, hustle you for a hundred bucks in the backroom if you could, and…

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Review of Mayor Pete (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Oct 2021

Moss’ spry but often superficial film purports to explore what it’s like for an actual human being to run for the highest office in the…

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Review of Needle in a Timestack (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 15 Oct 2021

As it turns out, this literary curiosity proves to be far more interesting than the finished film, which takes an undeniably interesting premise…

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Review of Halloween Kills (2021)

By Imthenoob (1,101) on 15 Oct 2021

Halloween Kills is an hour and 45-minute movie that still could have been 15 minutes shorter…

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Review of Halloween Kills (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 15 Oct 2021

You have to admire the effort — even as you survey, mouth agape, the calamitous results…

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Review of The Last Duel (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 15 Oct 2021

The Last Duel is full of incident and historical detail, and its universe is a complicated one — but it seems the script, by its very nature,…

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Review of The Green Knight (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 15 Oct 2021

If the result sends viewers scuttling back to Armitage’s uniquely accessible version of the source text, then that would be marvellous indeed…

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Review of The First Wave (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 15 Oct 2021

Now, more than a year and a half into the novel coronavirus pandemic, Matthew Heineman’s intensely intimate documentary arrives as a graphic…

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