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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 21 Oct 2021

The storytelling is as paramount–and often as dizzyingly entertaining—as the stories themselves…

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Review of The Harder They Fall (2021)

By Ignatiy Vishnevetsky (836) for The A.V. Club (5,644) on 21 Oct 2021

The gonzo factor (sadistic violence plus multiple music numbers) is intermittently engaging. The characters, not so much…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 21 Oct 2021

Whimsically beautiful, as if Anderson discovered a long-lost Antoine de Saint-Exupéry picture book…

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Review of Cryptozoo (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 21 Oct 2021

While a certain disarming naivety infuses the work, it nevertheless packs an evocative punch, with a moral message about intolerance and the…

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Review of Broadcast Signal Intrusion (2021)

By Chuck Bowen (756) for Slant Magazine (8,298) on 21 Oct 2021

Jacob Gentry’s film punches through all the layers of homage to arrive at a place of true horror…

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Review of The Phantom of the Open (2022)

By Guy Lodge (731) for Variety (12,700) on 21 Oct 2021

The jokes write themselves, though in The Phantom of the Open, screenwriter Simon Farnaby and director Craig Roberts make them sweeter and…

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Review of Dune (2021)

By Matt Singer (625) for ScreenCrush (954) on 21 Oct 2021

To my amazement, and to Villeneuve’s credit, this new Dune is totally clear in its premise, politics, and operatic sci-fi story…

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Review of The Boss Baby: Family Business (2021)

By Cath Clarke (570) for The Guardian (2,969) on 21 Oct 2021

Given the calibre of the voice cast, perhaps the biggest disappointment is how humourless the movie is…

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Review of After We Fell (2021)

By Cath Clarke (570) for The Guardian (2,969) on 21 Oct 2021

The acting is daytime-soap standard and the tasteful, softcore sex is shot in such a way as to not look like actual sex…

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Review of Cruella (2021)

By Voodoo123 (536) on 21 Oct 2021

+Excellent cast +Fantastic soundtrack +Some epic costume designs throughout +Exceptionally good cgi used here +Superb pacing +Superior visual…

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Review of The Electrical Life of Louis Wain (2021)

By Jessica Kiang (522) for Los Angeles Times (12,977) on 21 Oct 2021

Tottering unsteadily between mining Wain’s vast repertoire of eccentricities for comedy and slathering them in pathos, the movie winds up…

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Review of Night Teeth (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 21 Oct 2021

Night Teeth isn’t quite as dreadful as its truly dreadful title but it’s just as forgettable…

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Review of The Electrical Life of Louis Wain (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 21 Oct 2021

From Sherlock Holmes to Doctor Strange, Cumberbatch has excelled at playing oddball heroes. Wain extends that line…

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Review of Dune (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 21 Oct 2021

Everything is leaden, solemn, portentous. When the writing’s not wooden, it’s clumsily demotic…

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Review of Spencer (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 21 Oct 2021

Heavy-handed and unnecessarily long, Spencer explores Diana as a prisoner of the royal family in heart-wrenching and beautifully haunting fashion…

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Review of Dune (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 21 Oct 2021

Ambitious, occasionally thrilling, and visually striking, Dune is mostly set up, building out a heartless world that never truly feels complete…

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Review of The Power of the Dog (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 21 Oct 2021

Campion’s film is gorgeously crafted and detailed, emotionally effective, and layered in shades of meaning about masculinity…

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Review of King Richard (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 21 Oct 2021

Bolstered by a solid performance by Will Smith, King Richard is a feel-good, charming sports biopic that uplifts but never reaches its full potential…

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Review of The Lost Daughter (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 21 Oct 2021

Nuanced, thoughtful, and deeply effective, Gyllenhaal’s movie is assuredly executed, uplifted by a strong, striking performance by Olivia Colman…

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Review of Night Teeth (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 21 Oct 2021

There's an overriding desire throughout Night Teeth for it to be an L.A…

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