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Review of Army of Thieves (2021)

By Andrew Crump (271) for Paste Magazine (2,906) on 28 Oct 2021

Army of the Dead is a film full of pleasant surprises, but Matthias Schweighöfer, playing a German safecracker with a hair-trigger for impassioned…

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Review of El Planeta (2021)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 28 Oct 2021

Shot in black and white with some quirky wipe transitions thrown in (haven’t seen the classic page-turning wipe in a while), El Planeta orbits…

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Review of Passing (2021)

By Jocelyn Noveck (253) for The Associated Press (882) on 28 Oct 2021

Rarely have the hues of black and white, cinematographically speaking, looked so beautifully lush as in Passing, the hugely impressive directorial…

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Review of Passing (2021)

By Jocelyn Noveck (253) for The Associated Press (882) on 28 Oct 2021

Rarely have the hues of black and white, cinematographically speaking, looked so beautifully lush as in Passing, the hugely impressive directorial…

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Review of Army of Thieves (2021)

By Calum Marsh (242) for The New York Times (9,847) on 28 Oct 2021

A winking attitude doesn’t make the extremely tired formula any less rote or tiresome…

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Review of A Mouthful of Air (2021)

By Karen Gordon (174) for Original-Cin (1,156) on 28 Oct 2021

It’s a beautiful-looking film…

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Review of Last Night in Soho (2021)

By Siddhant Adlakha (174) for IGN (1,013) on 28 Oct 2021

Last Night in Soho’s biggest strengths and weaknesses come from the same place: its attempts to replicate much better psychological horror…

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Review of Four Hours at the Capitol (2021)

By Siddhant Adlakha (174) for IndieWire (3,631) on 28 Oct 2021

The film’s focus remains largely on the crowd — not the forces that pull and push at it, contort its shape, and determine its movement…

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Review of The Green Knight (2021)

By Aj_13 (170) on 28 Oct 2021

What a film, what a script, what a performances, what a cinematography, what a sound, what an ending…

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Review of Trick 'r Treat (2007)

By Kelvinselimor (157) on 28 Oct 2021

Trick 'r Treat. Halloween will kill everyone. Interesting and beautifully filmed, but very boring plot…

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Review of Monster House (2006)

By Kelvinselimor (157) on 28 Oct 2021

Monster House. It's alive! A beautifully drawn film with a very interesting plot. The main star - House performed its role perfectly…

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Review of Happy Together (1997)

By Katezoe (154) on 28 Oct 2021

An amazing film by the incredible director Wong Kar-Wai…

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Review of Happy Together (1997)

By Katezoe (154) on 28 Oct 2021

An amazing film by the incredible director Wong Kar-Wai…

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Review of A Mouthful of Air (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 28 Oct 2021

Directed by Amy Koppelman and based on her novel of the same name, A Mouthful of Air aspires to show how depression can sully even the loveliest…

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Review of Antlers (2021)

By Thom Ernst (141) for Original-Cin (1,156) on 28 Oct 2021

Visually, Antlers is stunning as a portrait of a town dying…

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Review of Hypnotic (2021)

By Lena Wilson (121) for The New York Times (9,847) on 28 Oct 2021

The twists in Hypnotic may not be brilliant, but they are abundant, making for the sort of straight-to-streaming treat best enjoyed on a couch,…

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Review of Minority Report (2002)

By Trailesque (112) on 28 Oct 2021

Like so many Hollywood movies, this movie pairs stunning visuals and awesome techniques with a mediocre, unconvincing story…

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Review of Hypnotic (2021)

By Matt Fowler (109) for IGN (1,013) on 28 Oct 2021

Kate Siegel does her best to elevate a simplistic thriller that follows all the same beats you're accustomed to…

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Review of My Hero Academia: World Heroes' Mission (2021)

By Rafael Motamayor (108) for IGN (1,013) on 28 Oct 2021

My Hero Academia: World Heroes' Mission boasts the franchises' best animation yet, as well as a dark and menacing villain straight out of an…

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Review of Wheel of Fortune and Fantasy (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 28 Oct 2021

Hamaguchi has a beautiful outlook on mistakes and the complex emotions that make up humanity, and his tenderness toward each character he brings…

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