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Review of Hypnotic (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 28 Oct 2021

This slick and cheesy Netflix movie only occasionally rises to the potential of its wild premise, thanks mostly to a crazy-eyed, licking-his-chops…

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Review of The Amusement Park (1975)

By Thequietgamer (1,082) on 28 Oct 2021

A feature-length PSA on elderly abuse from the guy who gave us the Night of the Living Dead series…

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Review of Antlers (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 28 Oct 2021

The film’s self-seriousness is as oppressive as its setting’s monotonous fog…

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Review of Antlers (2021)

By Brian Lowry (913) for CNN (497) on 28 Oct 2021

The net effect isn't necessarily bad assuming that expectations are modest, and there's something to be said for a more understated, small-scale…

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Review of Attica (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 28 Oct 2021

There is a fascination in hearing about the logistics of the riot and just how surreal events were for the prisoners…

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Review of Army of Thieves (2021)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 28 Oct 2021

As a director, Schweighöfer deftly plays around with a few genre conventions, handles action scenes capably if not distinctively, and stages…

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Review of The Spine of Night (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 28 Oct 2021

The longer you are immersed in this exchange of stories, of hope dying against darkness but proving its value just by its glimmers, the more…

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Review of My Hero Academia: World Heroes' Mission (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 28 Oct 2021

This is definitely one My Hero Academia adventure that should go back to the classroom…

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Review of Last Night in Soho (2021)

By Jake Coyle (526) for The Associated Press (882) on 28 Oct 2021

While neither of their character’s gets enough depth, McKenzie and Taylor-Joy sustain Last Night in Soho, a movie filled with reflections…

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Review of Hypnotic (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 28 Oct 2021

This is the kind of made-for-cable-level movie where a pedestrian script (by Richard D’Ovidio) with the usual horror cliches is elevated…

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Review of Antlers (2021)

By Soren Andersen (496) for The Seattle Times (964) on 28 Oct 2021

Director Scott Cooper really lays it on thick. He brings no modulation to the horror elements in his frightfest…

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Review of Joy Ride (2021)

By Nicolas Rapold (488) for The New York Times (9,847) on 28 Oct 2021

Some of the material feels fairly standard, as they share misfit upbringings and showbiz gossip, but each veteran comedian lends an unpredictable…

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Review of Army of Thieves (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 28 Oct 2021

There’s nothing markedly necessary about universe expander Army of Thieves, niche fan service that gives backstory to a character who we…

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Review of Hypnotic (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 28 Oct 2021

There’s zero, nay negative, fun to be had here, a potentially interesting, if not exactly original, sub-Manchurian Candidate idea (pre-programmed…

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Review of Last Night in Soho (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 28 Oct 2021

Let’s just say that Last Night In Soho is giallo in at least one big respect: Like many of those films, it starts off with a strong concept,…

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Review of Last Night in Soho (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 28 Oct 2021

Notwithstanding its irresistible rhinestone array of mid-’60s popular culture, Last Night in Soho is an exercise in nostalgia only in passing…

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Review of A Mouthful of Air (2021)

By Kimber Myers (423) for Los Angeles Times (12,977) on 28 Oct 2021

For a film so grounded in the real-life issue, the movie doesn’t work to make its characters feel human or its world feel real, blunting…

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Review of The Velvet Underground (2021)

By Bertobellamy (400) on 28 Oct 2021

Old fans will find this unconventional documentary very compelling, while newcomers will become fascinated with one of the most influential…

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Review of Attica (2021)

By Roxana Hadadi (336) for Los Angeles Times (12,977) on 28 Oct 2021

Attica is a jarring, engrossing, and enraging reminder of how those in power will lie, humiliate, kill and cover up to retain it, and the documentary…

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Review of Groundhog Day (1993)

By Kai82 (336) on 28 Oct 2021

It is a timeless cult classic that nearly everyone knows and loves…

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