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Review of Procession (2021)

By David Fear (910) for Rolling Stone (4,035) on 22 Nov 2021

It’s a harrowing documentary, to be sure, but also healing in a way that doesn’t go for easy emotional button-pushing, or play down the…

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Review of Drive My Car (2021)

By David Jenkins (910) for Little White Lies (3,136) on 22 Nov 2021

Drive My Car is endlessly fascinating and rich, the type of film which you could spend hours analysing and come no closer to feeling as if…

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Review of Procession (2021)

By Richard Brody (868) for The New Yorker (1,837) on 22 Nov 2021

Like Shoah, Procession does more than bear witness to atrocities; it uses the artistic power of the cinema to inscribe them in history…

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Review of The First Wave (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 22 Nov 2021

Watching Matthew Heineman’s documentary The First Wave isn’t therefore a casualty of diminishing returns due to a false sense of redundancy…

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Review of Drive My Car (2021)

By Tara Brady (805) for The Irish Times (483) on 22 Nov 2021

The entire ensemble is remarkable. The drama is so engrossing, it knocks the jaunty Beatles song right out of the viewer’s head…

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Review of Petite Maman (2021)

By Tara Brady (805) for The Irish Times (483) on 22 Nov 2021

The most magical moments are the most ordinary, as Claire Mathon’s camera sneaks up on the two little girls in peals of laughter as they…

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Review of C'mon C'mon (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 22 Nov 2021

Come for Phoenix, stay for Phoenix and maybe also Norman and Hoffman, the latter of whom bounces off of both her co-stars with a nervy charm…

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Review of Drive My Car (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 22 Nov 2021

Take three hours out of your life, and enjoy one of the most fulfilling cinematic rides of the year…

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Review of House of Gucci (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Nov 2021

Gucci might have been a better movie if it had fully committed to the high camp its Blondie-soundtracked trailer promises…

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Review of House of Gucci (2021)

By Neil Smith (699) for Total Film (3,532) on 22 Nov 2021

It’s not great Scott, but House Of Gucci still offers a fine excuse to vicariously experience the lifestyles of the rich and shameless…

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Review of A Nightmare on Elm Street (1984)

By Mattbrady99 (654) on 22 Nov 2021

I could be bounded in a nutshell, and count myself a king of infinite space, were it not that I have bad dreams Man, Freddy is poetically dedicated…

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Review of Kurt Vonnegut: Unstuck in Time (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Nov 2021

There is, nevertheless, something to be said for a documentary that tries to do something different and perhaps impossible, even if it doesn't…

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Review of Bad Luck Banging or Loony Porn (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Nov 2021

It seems more likely that this is a film about discoveries rather than statements, with the camera following people and then abandoning them…

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Review of Don't Breathe 2 (2021)

By Panchogul (602) on 22 Nov 2021

Una secuela entretenida, pero innecesaria e incluso llega a ser genérica, lo que le sigue en la segunda mitad parece rebuscado e irrelevante…

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Review of House of Gucci (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 22 Nov 2021

House of Gucci isn't aggressively bad, but it is undeniably tedious, threadbare, and unengaging…

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Review of House of Gucci (2021)

By Brian Truitt (541) for USA Today (4,117) on 22 Nov 2021

But be warned, fellow best actress contenders: The power of Gaga is undeniable as she rules House of Gucci with powerful panache and addictive…

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Review of King Richard (2021)

By Brian Truitt (541) for USA Today (4,117) on 22 Nov 2021

Smith brings passion and stubbornness to Richard, a controversial figure in some corners and a devoted dad in others…

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Review of Peppermint (2018)

By Voodoo123 (536) on 22 Nov 2021

Peppermint is about as generic as they come when compared to others in the revenge action movie genre…

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Review of C'mon C'mon (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 22 Nov 2021

To imagine the future, one must consider the past and be active in the present. C’mon C’mon is about the present, and how precious it truly is…

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Review of House of Gucci (2021)

By Alissa Wilkinson (499) for Vox (725) on 22 Nov 2021

House of Gucci is probably the funniest comedy and dopiest tragedy of the year. Everyone chomps on the scenery…

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