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Review of The Unforgivable (2021)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 24 Nov 2021

A tightly-drawn Bullock is fully in tune with Ruth’s pain, making her extreme introversion an evident side effect of trauma rather than personality…

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Review of India Sweets and Spices (2021)

By Tvjerry (1,783) on 24 Nov 2021

Sophia Ali plays a college student who returns home to her upscale neighborhood for summer vacation…

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Review of The Summit of the Gods (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 24 Nov 2021

It’s in the climbing sequences that the movie’s animation is at its most imaginative, creating effects both exhilarating and harrowing…

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Review of Drive My Car (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 24 Nov 2021

Certainly, it’s a welcome call-back to grownup movies of 1960s and 70s, about adult intimacy and meaning-of-life concerns…

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Review of Resident Evil: Welcome to Raccoon City (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Nov 2021

It's depressingly easy to chart where this film is going to go and who's going to make it to the inevitable sequel…

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Review of The Humans (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 24 Nov 2021

The confessions and tensions are commonplace, but The Humans is never less than high on the terrible power of the mundane…

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Review of The Humans (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 24 Nov 2021

Is The Humans a haunted-house movie? Maybe; Karam is not above unleashing a good jump scare or two…

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Review of House of Gucci (2021)

By Rex Reed (1,506) for Observer (1,042) on 24 Nov 2021

Juicy, extravagant, glamorous, decadent and a crowd-pleasing carousel of euro-trash camp, Ridley Scott’s sordid saga about the rise and fall…

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Review of Lady Buds (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 24 Nov 2021

The choice of characters is strong enough to ensure a broad and insightful overview of the subject, which is explored in considerably more…

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Review of The Unforgivable (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 24 Nov 2021

A frustrating drama that struggles to be either a thoughtful character study or a slow-burn thriller…

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Review of House of Gucci (2021)

By Dana Stevens (1,435) for Slate (2,081) on 24 Nov 2021

In a late scene in House of Gucci, one character labels another “a triumph of mediocrity.” That paradox and others like it might be applied…

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Review of Bruised (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 24 Nov 2021

There’s a lot going on and somehow not enough, because the emotional destination is so obvious, the tone so wearying and the performances,…

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Review of House of Gucci (2021)

By Katie Walsh (1,279) for St. Louis Post-Dispatch (1,715) on 24 Nov 2021

House of Gucci is Gaga’s movie, and she won’t let you forget it…

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Review of Licorice Pizza (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 24 Nov 2021

Paul Thomas Anderson’s golden, shimmering vision of the 1970s San Fernando Valley in Licorice Pizza is so dreamy, so full of possibility,…

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Review of The Unforgivable (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Nov 2021

In practice, mincing up the miniseries’ plot without losing any of its main ingredients — and even adding several new ones to the mix,…

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Review of Lady Buds (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 24 Nov 2021

While the personalities spotlit here are easy to root for, what emerges is less an upbeat look at female enterprise than yet another case of…

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Review of Two-Lane Blacktop (1971)

By Dawdlingpoet (1,123) on 24 Nov 2021

This is quite an easy watch - certainly a good diverting film if you like cars, particularly classic cars…

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Review of The Incredible Shrinking Man (1957)

By Dawdlingpoet (1,123) on 24 Nov 2021

This is very much a 'curio' of a film…

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Review of Filmworker (2018)

By Dawdlingpoet (1,123) on 24 Nov 2021

I found this a very insightful watch - I certainly respect the man, now im aware of all the work he's done for Kubrick and it seems a real…

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Review of The Peanut Butter Falcon (2019)

By Dawdlingpoet (1,123) on 24 Nov 2021

I noticed this film is categorised as a sports film - I really wouldn't say that, the sport (more specifically, wrestling) element is more…

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