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Review of Last Night in Soho (2021)

By Crunkie (1) on 25 Nov 2021

Entered this movie with no idea what to expect but was very pleasantly surprised. It did start off a little slow but ended up great…

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Review of Free Birds (2013)

By Kiki_Lord (1) on 25 Nov 2021

I don't understand the hate. They are literally going back in the time to the first thanksgiving to take turkey off the menu…

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Review of Spencer (2021)

By Gfrnc (1) on 25 Nov 2021

Filme poético e com fotografia impecável. Kristen Stewart se destaca com sua atuação de Lady Di, trazendo seu sotaque e manias perfeitamente…

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Review of Spencer (2021)

By Twigirlrk (1) on 25 Nov 2021

This film is a truly sensitive and magnificent work of art, Pablo Larraín manages to narrate the story in a playful way that makes us feel…

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Review of Ghostbusters: Afterlife (2021)

By Ian717 (1) on 25 Nov 2021

A proper 3rd film that continues the timeline and leaves us with a real trilogy…

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Review of The Princess Switch 3: Romancing the Star (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 24 Nov 2021

Hudgens’ times-three star turn — underwritten as every character is — would be more fun if she was surrounded by a supporting cast that…

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Review of Bruised (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 24 Nov 2021

A pull-out-all-the-cliches and throw in a few on-the-nose new ones script leaves Halle Berry’s directing debut, Bruised, a split decision…

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Review of The Unforgivable (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 24 Nov 2021

The plot’s twists and turns, which were manageable in a three-part TV drama, look contrived and unlikely in a feature film and Bullock has…

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Review of JFK Revisited: Through the Looking Glass (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 24 Nov 2021

Did the whole nation and its governing class go into denial after the Kennedy assassination as a way of managing their shock and grief…

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Review of House of Gucci (2021)

By Peter Travers (3,602) for ABC News (186) on 24 Nov 2021

Amid the jumble of fake Italian accents and overall too-muchness, an Oscar-ready Lady Gaga is flat-out fabulous…

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Review of Licorice Pizza (2021)

By Peter Travers (3,602) for ABC News (186) on 24 Nov 2021

Darkness stays on the edges of Hollywood town in Paul Thomas Anderson’s screwball comedy explosion about the serious business of first love…

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Review of The Unforgivable (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 24 Nov 2021

Sandra Bullock has starred in only seven films in the last decade, and along with Gravity in 2013, her two most intriguing roles by far have…

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Review of The Humans (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 24 Nov 2021

This is not a raucous family takedown; nor is Karam’s tale a matter of artificial family conflicts, tidily resolved…

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Review of Licorice Pizza (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 24 Nov 2021

[Mr. Anderson's] screenplay soars above and beyond literal references by creating the oddest power couple you’ve ever seen…

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Review of House of Gucci (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 24 Nov 2021

I found the film so insistently campy yet painfully mirthless—its style lies somewhere between opera buffa and telenovela—that my mental…

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Review of Drive My Car (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 24 Nov 2021

What it is can be summed up in a word that’s often used loosely but fits the case here—a masterpiece, a mysteriously enthralling creation…

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Review of A Boy Called Christmas (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 24 Nov 2021

A Boy Called Christmas is a resplendent Santa Claus origin story with a star-filled cast, sumptuous visuals, and some melancholy details to…

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Review of Licorice Pizza (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 24 Nov 2021

Licorice Pizza feels pleased with how casual and effortless it is, which is the exact opposite of being casual and effortless…

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Review of Drive My Car (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 24 Nov 2021

The movie is tender like a rainstorm: only in the aftermath, after you’ve allowed time for its ideas to settle, does its full picture become…

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Review of Drive My Car (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 24 Nov 2021

Hamaguchi’s touch — delicate, precise, restrained, gentle — overwhelms in increments…

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