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Review of Dumb and Dumber (1994)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 15 Aug 1998

A few of the bad-taste gags are funny, and Carrey's grimaces have a certain inspired delirium, but this is a long way from the social comedy…

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Review of Fallen Angels (1998)

By Stephen Holden (1,707) for The New York Times (9,847) on 15 Aug 1998

Fallen Angels certainly abounds in visual pizazz, clever in jokes and trendy pop references, but such things can carry a movie only so far…

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Review of Casper (1995)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 15 Aug 1998

It's not clear why Steven Spielberg's Amblin decided to make a live-action entertainment starring the least interesting and most saccharine…

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Review of The Firm (1993)

By Vincent Canby (762) for The New York Times (9,847) on 14 Aug 1998

The movie is extremely long (two hours and 34 minutes) and so slow that by the end you feel as if you've been standing up even if you've been…

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Review of Raising Cain (1992)

By David Sterritt (1,643) for Christian Science Monitor (3,788) on 12 Aug 1998

As the body count mounts, De Palma blurs the line between fantasy and reality with gleeful affrontery, creating a dazzling tapestry of visual…

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Review of Indecent Proposal (1993)

By Peter Travers (3,602) for Rolling Stone (4,035) on 12 Aug 1998

As sexist propaganda, the film is shameless…

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Review of Hush (1998)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 12 Aug 1998

A feel-good movie that doesn't give you enough to feel good about…

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Review of Jude (1996)

By Jay Carr (837) for Boston Globe (6,852) on 12 Aug 1998

A brave, powerful, far from comfortable and distinctly English affair that bears all the hallmarks of a labour of love rather than an example…

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Review of The Living Daylights (1987)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 12 Aug 1998

The Living Daylights marks one of those moments when the Bond franchise was awkwardly caught between two eras…

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Review of Ulee's Gold (1997)

By Keith Phipps (1,177) for The A.V. Club (5,644) on 11 Aug 1998

Though it occasionally wears its metaphors on its sleeve, Ulee's Gold should, if there's any justice, find the same thoughtful-drama-hungry…

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Review of The Apostle (1997)

By Steve Davis (486) for Austin Chronicle (7,653) on 10 Aug 1998

Whether strutting like a bantam rooster for the Lord, fervently calling himself a “genuine Holy Ghost, Jesus-filled preaching machine,”…

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Review of Into the Night (1985)

By Gene Siskel (446) for Chicago Tribune (6,211) on 09 Aug 1998

The belief here is that Landis simply has overstuffed what might have been a somewhat tender action picture with all manner of movie trivia…

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Review of The Killing (1956)

By Pauline Kael (368) for The New Yorker (1,837) on 09 Aug 1998

If anything identifies The Killing as a Kubrick picture, it is the movie’s overall sense of fatalism – even as we watch how carefully things…

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Review of Hoodlum (1997)

By Keith Phipps (1,177) for The A.V. Club (5,644) on 09 Aug 1998

A conclusion featuring a dizzying string of betrayals that leads to a confusing anti-climax robs the film of even cheap action thrills, making…

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Review of Fly Away Home (1996)

By Kenneth Turan (2,323) for Los Angeles Times (12,977) on 09 Aug 1998

No better children's film has appeared all year, but my bet is it'll be the grown-ups, not the kids, who come away with a lump in the throat…

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Review of Gang Related (1997)

By James Berardinelli (4,524) for ReelViews (4,523) on 08 Aug 1998

Kauf, whose Stakeout was a lighter blend of the same kind of elements at work here, knows just how to play the material to keep it enjoyable…

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Review of One Eight Seven (1997)

By John Gustafson (2) for The A.V. Club (5,644) on 07 Aug 1998

Jackson's performance is impressive: He effectively conveys every nervous and belligerent nuance, but his character eventually disappears beneath…

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Review of Can't Buy Me Love (1987)

By Christine Arnold (10) for Miami Herald (3,319) on 07 Aug 1998

A John Hughes movie without Pretty in Pink director John Hughes, sure makes you appreciate the teens' auteur…

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Review of In the Line of Fire (1993)

By Vincent Canby (762) for The New York Times (9,847) on 07 Aug 1998

It's movie making of the high, smooth, commercial order that Hollywood prides itself on but achieves with singular infrequency…

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Review of Fantastic Planet (1973)

By Gary Dauphin (25) for Village Voice (8,525) on 07 Aug 1998

Although the visuals are worth the ticket alone, Fantastic Planet also crackles with emotional and political resonance…

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