Review of The Killing (1956) by Pauline Kael for The New Yorker — 09 Aug 1998
If anything identifies The Killing as a Kubrick picture, it is the movie’s overall sense of fatalism – even as we watch how carefully things are planned, there is a sense of impending doom.
You can read the full review where it was originally posted online.
This review of The Killing (1956) was written by Pauline Kael and published by The New Yorker on 09 Aug 1998.
The Killing has generally received very positive reviews.
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