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Review of Nightmare Alley (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 01 Dec 2021

Stunningly-detailed, with an A-list cast up and down the line, it’s a gorgeous and gloomy dip into the dark side, immersive and bleak from…

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Review of The Power of the Dog (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 01 Dec 2021

Even if some of the second and third act twists upend some expectations, even if the Big Sky setting (it was filmed in New Zealand) promises…

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Review of Blue Bayou (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 01 Dec 2021

Subtlety and nuance are not exactly this film’s strong points…

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Review of Silent Night (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 01 Dec 2021

Silent Night is not exactly a satire of well-off and well-connected people as such – everyone is supposed to be basically pretty adorable…

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Review of The Hand of God (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 01 Dec 2021

It would be really obtuse not to marvel at the exuberance, energy and vivid moment-by-moment immediacy of this movie: Sorrentino is a film-maker…

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Review of The Hand of God (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 01 Dec 2021

In essence, Sorrentino thought his way up to the middle of The Hand of God and assumed the rest would take care of itself…

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Review of 8-Bit Christmas (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 01 Dec 2021

The fantastically nostalgic, consistently funny, mischief-laden and genuinely touching 8-Bit Christmas (now on HBO Max) reminds me of A Christmas…

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Review of Silent Night (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 01 Dec 2021

Writer-director Griffin deftly toggles between social/political commentary and the deadpan comedy/horror at hand, as this mostly British group…

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Review of Red Rocket (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 01 Dec 2021

Rex, meanwhile—an actor and former VJ with a brief early stint in adult entertainment—delivers an unequivocally great comic performance…

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Review of tick, tick... BOOM! (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 01 Dec 2021

Garfield is fine, if a bit one-note in his show-must-go-on energy…

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Review of The Hand of God (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 01 Dec 2021

For all its beauty and poignancy, The Hand of God suffers from a strange paradox: It goes on too long but somehow doesn’t go far enough…

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Review of The Power of the Dog (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 01 Dec 2021

The Power of the Dog builds tremendous force, gaining its momentum through the harmonious discord of its performances, the nervous rhythms…

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Review of Nightmare Alley (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 01 Dec 2021

From a rain-soaked carnival midway to a glossy, Art Deco therapist’s office, everything in Guillermo del Toro’s Nightmare Alley looks gorgeous…

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Review of The Hand of God (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 01 Dec 2021

The first hour’s parade of oddballs and exaggerated vignettes under the bright Neapolitan pop of Daria D’Antonio’s cinematography can…

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Review of Nightmare Alley (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Dec 2021

This sordid excavation into the hollowness of a human soul is a strange fit for a director who’s spent his career searching for magic in…

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Review of The Summit of the Gods (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Dec 2021

It’s here, in these more high-altitude and less high-minded passages that “The Summit of the Gods” reaches the peak of its power, as…

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Review of Licorice Pizza (2021)

By Richard Brody (868) for The New Yorker (1,837) on 01 Dec 2021

Haim brings a constant and instant focus even to riskily inchoate emotions, and Hoffman lends his driven energumen a lambent glow of innocence…

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Review of The Summit of the Gods (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 01 Dec 2021

On limited terms — capturing the physicality of mountain climbing within the ethereal medium of animation — The Summit of the Gods is distinctive…

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Review of Cold Mountain (2003)

By Filipeneto (856) on 01 Dec 2021

The American Civil War is one of those historic moments that gave rise to a lot of movies, as it was one of the great defining moments of America's…

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Review of 14 Peaks: Nothing Is Impossible (2021)

By Lisa Kennedy (833) for The New York Times (9,847) on 01 Dec 2021

In widening its aperture — from the ascents to visits to Purja’s childhood home as well as brief dives into Nepal’s history — “14…

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