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Review of Nightmare Alley (2021)

By Clint Worthington (295) for Consequence (296) on 02 Dec 2021

It may not have the sharp edges of a classic ’40s noir, but del Toro’s softer touch invites us in like one of Stan’s credulous marks…

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Review of The Advent Calendar (2021)

By Matt (292) for Paste Magazine (2,906) on 02 Dec 2021

Ridremont succeeds in crunching bones and raising hell, all with a seasonal waft of cloves and corpses from behind a wishgiver’s crooked…

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Review of West Side Story (2021)

By Phil De Semlyen (265) for Time Out (7,510) on 02 Dec 2021

There’s a touch of diet Brando about Elgort’s reformed bad boy-turned-lovebird, but Zegler brings a lovely brand of innocence and conviction…

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Review of West Side Story (2021)

By Clarisse Loughrey (259) for The Independent (259) on 02 Dec 2021

All those technical triumphs only complicate what feels like an unanswerable question: how can a film look this good, feel so moving, and still…

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Review of West Side Story (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 02 Dec 2021

Shoot it loud and there’s music playing; shoot it soft and it’s almost like praying: Steven Spielberg’s West Side Story pumps the classic…

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Review of Single All the Way (2021)

By Jude Dry (205) for IndieWire (3,631) on 02 Dec 2021

Though the title may be the cleverest thing about this cookie cutter affair, it’s refreshing to see a gay family film that doesn’t use…

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Review of West Side Story (2021)

By Siddhant Adlakha (174) for IGN (1,013) on 02 Dec 2021

Steven Spielberg’s West Side Story is a dazzling complementary piece to the original…

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Review of tick, tick... BOOM! (2021)

By Theredsky (142) on 02 Dec 2021

It’s films like this that make me want to check out more musicals…

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Review of The Hand of God (2021)

By Thom Ernst (141) for Original-Cin (1,156) on 02 Dec 2021

The Hand of God lacks the imagination and mysticism that elevated The Great Beauty from being just a navel-gazing narrative about film…

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Review of The Advent Calendar (2021)

By Lena Wilson (121) for The New York Times (9,847) on 02 Dec 2021

It is bizarre and dizzying and oddly beautiful in its fervor, as fantastical props and effects distract from the nonsensical plot…

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Review of Anna and the Apocalypse (2018)

By Jebjbo (115) on 02 Dec 2021

Scottish High School Musical feat. quirky and lovable characters feat. great songs feat. zombies feat. some good gore feat…

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Review of West Side Story (2021)

By Matt Maytum (105) for Total Film (3,532) on 02 Dec 2021

Spielberg lovingly restages the classic musical – but while the songs still soar, it feels more indulgent than essential…

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Review of Belfast (2021)

By Markhreviews (102) on 02 Dec 2021

“Belfast,” the new film by writer/director Kenneth Branagh (who starred in the “Wallander” TV series, various Shakespeare productions…

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Review of Benedetta (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 02 Dec 2021

There is a raw sexiness to Benedetta that’s deeply engaging and thrilling…

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Review of Resident Evil: Welcome to Raccoon City (2021)

By Ethan Vestby (87) for The Film Stage (3,162) on 02 Dec 2021

By the time the climax with a big CGI beastie arrives and basically ends before it begins, the slightly unsatisfying feelings of Raccoon City…

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Review of Adrienne (2021)

By Christian Gallichio (84) for The Playlist (3,871) on 02 Dec 2021

Not only does Ostroy contextualize her life outside of filmmaking, but he also centralizes Shelly’s steady and progressive growth from actress-for-hire…

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Review of Silent Night (2021)

By Aurora Amidon (74) for Paste Magazine (2,906) on 02 Dec 2021

Even with effective individual scenes, Silent Night fails to launch; it sets out to deceive its audience, but only really ends up deceiving itself…

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Review of Boxing Day (2021)

By Amon Warmann (68) for Empire (3,446) on 02 Dec 2021

A few storytelling decisions don’t ring true, but the winning performances and loving celebration of Black British culture help conjure up…

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Review of Boxing Day (2021)

By Amon Warmann (68) for Empire (3,446) on 02 Dec 2021

A few storytelling decisions don’t ring true, but the winning performances and loving celebration of Black British culture help conjure up…

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Review of Nightmare Alley (2021)

By Marya E. Gates (65) for The Playlist (3,871) on 02 Dec 2021

Bloated at nearly 140 minutes with Cooper clearly miscast in the lead, it struggles to maintain urgency…

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