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Review of Even Mice Belong in Heaven (2021)

By Cath Clarke (570) for The Guardian (2,969) on 02 Dec 2021

It’s a shame that after that killer start, this wimps out of saying anything interesting about death or the adventure on the other side…

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Review of Silent Night (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 02 Dec 2021

It’s a slow document of stiff upper lips beginning to quiver, and while Knightley excels as the perfect Kensington upper-crust mummy, it’s…

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Review of West Side Story (2021)

By Brian Truitt (541) for USA Today (4,117) on 02 Dec 2021

With outstanding performances from newcomer Rachel Zegler and Ariana DeBose, Spielberg’s take doesn't stray too far from the original 1957…

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Review of West Side Story (2021)

By Richard Lawson (539) for Vanity Fair (761) on 02 Dec 2021

This new take on the material is more sinewy and sensual…

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Review of The Guilty (2021)

By Voodoo123 (536) on 02 Dec 2021

The guilty is an above average drama on a budget which excells with its excellent screenplay and engaging performances from the cast…

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Review of West Side Story (2021)

By Jake Coyle (526) for The Associated Press (882) on 02 Dec 2021

This West Side Story succeeds most as a revival not just of Robbins’ musical but of the best of classical, studio-made, big-screen cinema…

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Review of Silent Night (2021)

By Jessica Kiang (522) for Los Angeles Times (12,977) on 02 Dec 2021

The thin stereotypes in Silent Night are weirdly uninteresting to observe in this ultimate pressure situation…

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Review of Flee (2021)

By Alissa Wilkinson (499) for Vox (725) on 02 Dec 2021

By the end, it seems telling his story — saying it out loud in a safe space, at last — may have helped Amin heal a bit more…

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Review of West Side Story (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 02 Dec 2021

It’s the ensemble that wows most, though. Faist makes an unusually spindly Riff, yet he is scarier than any I’ve seen…

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Review of Single All the Way (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 02 Dec 2021

It’s pure mass market Christmas cookie cutter stuff that’s only made vaguely interesting in very short bursts because of its queerness…

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Review of Benedetta (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 02 Dec 2021

Belgian movie star Virginie Efira plays the title character with complete conviction, whether she’s kneeling in awe before the Virgin Mary…

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Review of West Side Story (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 02 Dec 2021

West Side Story is visually entrancing, emotional, and the choreography and staging magnetic even when certain aspects of the story don’t…

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Review of West Side Story (2021)

By Helen O'hara (407) for Empire (3,446) on 02 Dec 2021

Heartfelt and heart-breaking, this feels like Spielberg has made an adaptation faithful to its roots but also, always, alive to the modern world…

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Review of Even Mice Belong in Heaven (2021)

By Simran Hans (401) for The Observer (UK) (826) on 02 Dec 2021

The story is a little flat, but the gorgeous, hand-crafted puppets and sets give the film dimension…

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Review of The Power of the Dog (2021)

By Bertobellamy (400) on 02 Dec 2021

A man was made by patience and the odds against him. My father said... Obstacles. And you had to try and remove them…

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Review of The Power of the Dog (2021)

By Metacriticonur (388) on 02 Dec 2021

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of West Side Story (2021)

By Caryn James (352) for BBC (137) on 02 Dec 2021

Full of energy, wit, passion and tragedy, looking backward and forward at once, it is one of the most moving films of the year…

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Review of The Power of the Dog (2021)

By Habibiehakim (321) on 02 Dec 2021

I just wish they had more story with Phil and Peter because both of them was truly the real Power Of The Dog, Benedict Cumberbatch performance…

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Review of Nightmare Alley (2021)

By Chris Evangelista (306) for Slashfilm (971) on 02 Dec 2021

A wickedly enjoyable tale of freak shows, dark and stormy nights, innocent dames, morally bankrupt schemers, and a femme fatale to die for…

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Review of West Side Story (2021)

By Chris Evangelista (306) for Slashfilm (971) on 02 Dec 2021

Spielberg's West Side Story is a knock-out. A dynamite blend of old-school musical showmanship and modern sensibilities…

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