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Review of Spider-Man: No Way Home (2021)

By Peter Debruge (1,557) for Variety (12,700) on 14 Dec 2021

Returning director Jon Watts — whose bright, slightly dorky touch lends a kind of continuity to this latest trilogy — wrangles this unwieldy…

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Review of Spider-Man: No Way Home (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 14 Dec 2021

For all “No Way Home’s” vertiginous heights and precipitous drops, few things here shake you more fully than the anguished closeups of…

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Review of West Side Story (2021)

By Rex Reed (1,506) for Observer (1,042) on 14 Dec 2021

This is a West Side Story for both the past and present, as pleasing as the best movie musicals used to be, and as relevant as today’s headlines…

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Review of West Side Story (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 14 Dec 2021

Spielberg’s panache and command are evident in every nook of this handsome film…

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Review of Don't Look Up (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 14 Dec 2021

McKay has a point, though his frame of reference hardly stretches beyond the United States, and the stink of localized political contempt all…

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Review of The King's Man (2021)

By Brian Lowry (913) for CNN (497) on 14 Dec 2021

Fun in places, this World War I era story was designed to expand the franchise but appears just as likely to end it…

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Review of Being the Ricardos (2021)

By David Fear (910) for Rolling Stone (4,035) on 14 Dec 2021

As with his Trial of the Chicago 7 film, Sorkin seems to view history as the fodder for working with A-list stars and scoring ideological zingers…

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Review of A Quiet Place Part II (2021)

By Broyax (884) on 14 Dec 2021

La suite directe du premier film… mais sans l’effet de surprise et sans l’unité de lieu qui le caractérisait puisque cette fois-ci,…

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Review of Spider-Man: No Way Home (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 14 Dec 2021

Suffice to say, No Way Home hits its hoot-and-holler beats about as skillfully as Endgame did…

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Review of The King's Man (2021)

By Ignatiy Vishnevetsky (836) for The A.V. Club (5,644) on 14 Dec 2021

The concept of a supervillain hellbent on Scottish independence is, admittedly, kind of funny (not to mention in keeping with the overall politics…

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Review of Spider-Man: No Way Home (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 14 Dec 2021

What I can say, without angering (almost) anyone, is that Spider-Man: No Way Home is both a gigantic act of franchise-mad hubris, and a ridiculous…

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Review of The King's Man (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 14 Dec 2021

A tonally wild and historically, um, loose First World War thriller, The King’s Man arrives as a head-scratching mess of bewildering ambition…

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Review of The King's Man (2021)

By Todd Gilchrist (762) for TheWrap (3,203) on 14 Dec 2021

Vaughn’s third installment in this series is ultimately a pretty lousy movie; again, better than the last one, but that isn’t much of a…

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Review of Cyrano (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 14 Dec 2021

A musical with numbers written by The National was a terrific idea, and so was Dinklage as Cyrano. Just not at the same time…

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Review of Agnes (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 14 Dec 2021

I will admit, the fact that Oklahoma oddball Mickey Reece had recently become the cinematic flavor of the month left me cold and baffled, especially…

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Review of Nightmare Alley (2021)

By Brian Truitt (541) for USA Today (4,117) on 14 Dec 2021

Even though there are a bunch of interesting personalities (like Ron Perlman’s strongman Bruno), Nightmare Alley lacks the human connections…

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Review of Spider-Man: No Way Home (2021)

By Jake Coyle (526) for The Associated Press (882) on 14 Dec 2021

If Spider-verse was about how anyone can be Spider-Man, No Way Home is a more authorized Spider-Man compendium; its tone leans more operatic…

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Review of The Tender Bar (2021)

By Ian Freer (515) for Empire (3,446) on 14 Dec 2021

What The Tender Bar lacks in dramatic heft and originality, it makes up for in warmth, geniality and a clutch of great performances — chiefly…

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Review of Bad Luck Banging or Loony Porn (2021)

By Pat Padua (495) for Washington Post (9,851) on 14 Dec 2021

Writer-director Radu Jude’s fascinating, cynical dramedy “Bad Luck Banging or Loony Porn” careens between lowbrow humor and highbrow…

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Review of The King's Man (2021)

By Helen O'hara (407) for Time Out (7,510) on 14 Dec 2021

There are a few genuine surprises as this goes, but many more predictable twists…

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