Browse Movie Reviews - Page 2,497 of 258,691

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Review of The Feast (2021)

By Jluis_001 (2,242) on 14 Dec 2021

The Feast aims to be a strange, cold and slow film…

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Review of The Feast (2021)

By Jluis_001 (2,242) on 14 Dec 2021

The Feast aims to be a strange, cold and slow film…

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Review of The Amusement Park (1975)

By Jluis_001 (2,242) on 14 Dec 2021

It definitely got a lot more credit than I think it deserves, because the simple fact that it was directed by George A…

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Review of Bergman Island (2021)

By Jluis_001 (2,242) on 14 Dec 2021

This is a film that feels cordial, but small and insignificant…

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Review of Operation Hyacinth (2021)

By Jluis_001 (2,242) on 14 Dec 2021

Operation Hyacinth is a thriller, but why the filmmakers chose to talk about a subject like this in a thriller has me a bit confused…

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Review of Encounter (2021)

By Jluis_001 (2,242) on 14 Dec 2021

Despite Riz Ahmed's convincing performance, he alone is not enough to turn a mediocre script directed in such an average manner, into a better…

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Review of Encounter (2021)

By Jluis_001 (2,242) on 14 Dec 2021

Despite Riz Ahmed's convincing performance, he alone is not enough to turn a mediocre script directed in such an average manner, into a better…

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Review of Nightmare Alley (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 14 Dec 2021

Nightmare Alley winds up being like one of the games on the midway, its outward appearance more impressive than what lies beneath…

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Review of The Lost Daughter (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 14 Dec 2021

It’s an outstanding debut for someone who obviously knows her way around both sides of the camera…

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Review of Nightmare Alley (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 14 Dec 2021

Like each of del Toro’s nastier pictures, Nightmare Alley closes in on you with a hellish elegance…

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Review of The Lost Daughter (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 14 Dec 2021

Writing and directing her first feature, which she adapted from an Elena Ferrante novel, Maggie Gyllenhaal employs an intensely intimate camera,…

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Review of Procession (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 14 Dec 2021

Greene seems to have produced a respectful account of the experiment, allowing these men to find some form of catharsis without exploiting them…

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Review of The Lost Daughter (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 14 Dec 2021

Maggie Gyllenhaal makes a quietly astonishing directorial debut with “The Lost Daughter,” a crafty treatise on maternal ambivalence that…

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Review of Nightmare Alley (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 14 Dec 2021

Cooper, carrying the movie from start to finish, has a final, devastating close-up that’ll haunt you for quite a while…

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Review of The King's Man (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 14 Dec 2021

Those willing to embrace this entry’s greater thematic and stylistic ambitions will find much to savor, including the stirring lead performance…

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Review of Spider-Man: No Way Home (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 14 Dec 2021

For more casual consumers of the costumed comic-book superhero’s exploits, mileage may vary. But there’s a whole lot to like here…

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Review of Nightmare Alley (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 14 Dec 2021

It’s a noir tale for contemporary audiences who have developed an appetite for sensation from comic book movies, not literature…

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Review of Swan Song (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 14 Dec 2021

As a fairly soggy, two-hankie melodrama, “Swan Song” is effective. But I wouldn’t recommend thinking about it for too long…

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Review of The King's Man (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 14 Dec 2021

So no, The King’s Man doesn’t take itself especially seriously – until it suddenly, jarringly does…

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Review of Spider-Man: No Way Home (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 14 Dec 2021

Yes, of course, “No Way Home” is incredibly calculated, a way to make more headlines after killing off so many of its event characters…

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