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Review of Don't Look Up (2021)

By Alissa Wilkinson (499) for Vox (725) on 18 Dec 2021

For me, the bludgeoning tends to blunt the entertainment value…

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Review of Silent Night (2021)

By Alissa Wilkinson (499) for Vox (725) on 18 Dec 2021

It’s a tonally strange movie from the get-go, masquerading as a typical holiday flick about long-lost friends getting together at the holidays…

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Review of Ant-Man and the Wasp (2018)

By Drlowdon (322) on 18 Dec 2021

Having been placed under house arrest due to his involvement with the Avengers, Scott Lang (Ant Man) receives a message from the Quantum Realm…

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Review of The Tender Bar (2021)

By Chris Evangelista (306) for Slashfilm (971) on 18 Dec 2021

In the end, Affleck is the film's only real draw…

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Review of Spider-Man: No Way Home (2021)

By Dharma (271) on 18 Dec 2021

Do we need any more introduction on this film…

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Review of The Lost Daughter (2021)

By Vince Mancini (256) for Uproxx (697) on 18 Dec 2021

Flaws aside, Gyllenhaal genuinely feels like a new voice as a storyteller, and not just an actor stretching, which is a rare thing…

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Review of Don't Look Up (2021)

By Vince Mancini (256) for Uproxx (697) on 18 Dec 2021

Don’t Look Up is a strong idea (with story credit to McKay and journalist David Sirota), and lots of the individual jokes work, but at times…

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Review of The Hand of God (2021)

By Vince Mancini (256) for Uproxx (697) on 18 Dec 2021

Hand of God is a charming, frequently funny coming-of-age tale shot so exquisitely that it would make any Italian-American angry at his ancestors…

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Review of The Hating Game (2021)

By Ferdosa Abdi (130) for Screen Rant (892) on 18 Dec 2021

The film is very pleasant and manages to succeed in what many romantic comedies often fail to do — be entertaining and worth revisiting…

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Review of Spider-Man: No Way Home (2021)

By Gladiador (122) on 18 Dec 2021

Esse novo filme do homem-aranha é fan service puro e é espetacular, com certeza o melhor filme de super heroi de 2021…

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Review of Castle Falls (2021)

By Phil Hoad (110) for The Guardian (2,969) on 18 Dec 2021

Dolph Lundgren and Scott Adkins make a fine odd couple in this meatily satisfying action film – once it gets moving…

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Review of Sing 2 (2021)

By Rachel Labonte (78) for Screen Rant (892) on 18 Dec 2021

Sing 2 doesn’t offer enough originality to truly make it stand out, though those who got a kick out of the first movie will find plenty to love…

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Review of Rumble (2021)

By Nadir Samara (52) for Screen Rant (892) on 18 Dec 2021

Weighed down by its inability to fully commit to a story about fathers and lacking a fighting spirit, Rumble is far from being a must-see animation…

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Review of The Last Son (2021)

By Nadir Samara (52) for Screen Rant (892) on 18 Dec 2021

A genuinely gritty premise paired with a 90-minute runtime is typically a recipe for success, but The Last Son never becomes the movie it's…

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Review of The Unforgivable (2021)

By Debopriyaa Dutta (45) for Screen Rant (892) on 18 Dec 2021

Helmed by a brilliant Bullock, The Unforgivable is a flawed retelling of a profound story, limited by plot contrivances and an unconvincing execution…

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Review of Agnes (2021)

By Debopriyaa Dutta (45) for Screen Rant (892) on 18 Dec 2021

Unpredictability is Agnes' greatest strength; its genre-hybridity lends a mixed bag of emotions, ultimately emerging as a raw tale about loss…

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Review of Spider-Man: No Way Home (2021)

By Bigeggskitchen (35) on 18 Dec 2021

Pizza time pizza time pizza time pizza time pizza time pizza time pizza time…

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Review of Shaun the Sheep: The Flight Before Christmas (2021)

By Sarah Bea Milner (33) for Screen Rant (892) on 18 Dec 2021

Shaun The Sheep: The Flight Before Christmas is not only funny — it's also surprisingly sweet and touching…

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Review of Nightmare Alley (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 18 Dec 2021

There’s no shame in a remake where the re-rendering is genuinely fresh—but del Toro’s take empties its source material of significance,…

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Review of Swan Song (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 18 Dec 2021

Ali, in his first lead role, is let down with a hollow script and sanitized surroundings that his character barely struggles against…

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