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Review of Boiling Point (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 07 Jan 2022

Taking place in an upmarket east London restaurant on a busy night during the Christmas season, the film gives a real sense of the frantic…

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Review of Driving Miss Daisy (1989)

By Alejandro970 (859) on 07 Jan 2022

Despite the years of existence that this film has, it still preserves its freshness; especially because he knows how to approach a story of…

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Review of The Hand of God (2021)

By Alejandro970 (859) on 07 Jan 2022

Qué tanto pueden relacionarse la adolescencia y el fútbol? Bastante…

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Review of See for Me (2022)

By Ignatiy Vishnevetsky (836) for The A.V. Club (5,644) on 07 Jan 2022

While it’s able to periodically introduce a sense of danger—the burglars’ arrival, the sequence with the cop—it never creates the necessary…

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Review of Munich - The Edge of War (2021)

By Tara Brady (805) for The Irish Times (483) on 07 Jan 2022

Ironically, the project’s occasional attempts to pass itself off as a political thriller slow the material down…

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Review of Licorice Pizza (2021)

By Brent_Marchant (762) on 07 Jan 2022

I came away from director Paul Thomas Anderson's latest heaving a big So what…

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Review of The Killing of Kenneth Chamberlain (2021)

By Brent_Marchant (762) on 07 Jan 2022

When overzealous, racist White Plains cops conduct a wellness check request that was accidentally sent by an aging, mentally ill, African-American…

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Review of See for Me (2022)

By Tasha Robinson (753) for Polygon (677) on 07 Jan 2022

See For Me updates the home-invasion formula with a couple of clever twists and a key relationship…

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Review of King Car (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 07 Jan 2022

King Car may leave viewers wondering about a number of basic questions (mostly related to the plot), but it also often feels open and precise…

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Review of Drive My Car (2021)

By Moviemitch96 (552) on 07 Jan 2022

Wow... I'm at a loss for words on this one, so I'll do my best…

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Review of Another Round (2020)

By Gracjanski (417) on 07 Jan 2022

The movie has its charm, because the 4 protagonists are sympathetic, many of us understands their problem and some of the scenes shows us some…

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Review of The Tender Bar (2021)

By Bertobellamy (400) on 07 Jan 2022

Can't believe this was written by the same guy who penned 'The Departed.' I didn't know the guy who is this about — the journalist J. R…

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Review of Bergman Island (2021)

By Bertobellamy (400) on 07 Jan 2022

Bergman Island' is a feast for every Ingmar Bergman fan…

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Review of The 355 (2022)

By Kevin Harley (322) for Total Film (3,532) on 07 Jan 2022

The cast commit, but The 355 is no lucky number for Kinberg, who only delivers diminished returns on spy-thriller genre conventions…

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Review of The Tender Bar (2021)

By Andrew Crump (271) for Paste Magazine (2,906) on 07 Jan 2022

As mired as it is in identity confusion, cheeseball sentimentality and jaundiced camera filters, The Tender Bar could’ve been something if…

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Review of Boiling Point (2021)

By Nick De Semlyen (166) for Empire (3,446) on 07 Jan 2022

A fast-paced and hectic kitchen thriller that, though it tries to spin a few too many plates, pulls you deep into a fascinating, detailed world…

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Review of The 355 (2022)

By Mattyice34 (99) on 07 Jan 2022

It’s not the worst thing ever, but it’s sooooo uninspired and wastes the cast…

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Review of Shiva Baby (2021)

By Chanekecholo (87) on 07 Jan 2022

The simple existence of a young woman representing one of the most stressful moments in life, when you have no way to go…

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Review of Onward (2020)

By Bulgariancritic (86) on 07 Jan 2022

The movie might start a bit slow but it really becomes interesting and partially sad by the end…

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Review of The Unforgivable (2021)

By Muldjord (58) on 07 Jan 2022

It's dark. Very dark. But also touching…

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