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Review of Spellbound (1945)

By Jluis_001 (2,242) on 12 Jan 2022

Like many of Hitchcock's pre-1950s films, this one may also seem a bit dated and old-fashioned, but the years make no dent in its more-than-clever…

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Review of The Tragedy of Macbeth (2021)

By Jluis_001 (2,242) on 12 Jan 2022

The first film Joel Coen has directed without his brother Ethan since 2003's Intolerable Cruelty, it's a film that feels very different from…

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Review of Gallipoli (1981)

By Jluis_001 (2,242) on 12 Jan 2022

Accessible, taking into consideration my lack of knowledge of the events unfolding on screen, though its strengths lie more in the visual and…

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Review of The Nowhere Inn (2021)

By Jluis_001 (2,242) on 12 Jan 2022

Between wanting to be a sort of meta-documentary/concert/drama film with horror overtones, The Nowhere Inn ends up empty-handed in an attempt…

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Review of The Beta Test (2021)

By Jluis_001 (2,242) on 12 Jan 2022

The Beta Test's subject matter is so exposed that perhaps a few lessons in subtlety wouldn't have gone amiss for its creators…

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Review of What Do We See When We Look at the Sky? (2021)

By Jluis_001 (2,242) on 12 Jan 2022

As a viewer, one is always the recipient of the images and of course, the entire plot, however what happens when you must be the recipient…

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Review of France (2021)

By Jluis_001 (2,242) on 12 Jan 2022

So here we have the story of a TV star who is rich, famous and unhappy. An ode to originality…

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Review of The Tragedy of Macbeth (2021)

By Jluis_001 (2,242) on 12 Jan 2022

The first film Joel Coen has directed without his brother Ethan since 2003's Intolerable Cruelty, it's a film that feels very different from…

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Review of Munich - The Edge of War (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 12 Jan 2022

A mixture of well-researched historical fact and pure fiction, “Munich: The Edge of War” is a smart and entertaining thriller that suffers…

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Review of All About My Mother (1999)

By Dawdlingpoet (1,123) on 12 Jan 2022

This film has quite a laidback feel to it, with slow jazz type music playing in the background at times…

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Review of Wheel of Fortune and Fantasy (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 12 Jan 2022

Each of the three short stories making up Japanese director Ryusuke Hamaguchi’s new omnibus film Wheel of Fortune and Fantasy could stand…

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Review of Settlers (2021)

By Mauro_Lanari (665) on 12 Jan 2022

(Mauro Lanari) Why does Remmy end up with an ear piercing? Was she really on Mars or was it a metaphor…

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Review of Shattered (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Jan 2022

It’s all too bland, the smooth-crotched erotic thriller equivalent of banging a G.I. Joe and a Barbie together…

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Review of Hotel Transylvania: Transformania (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Jan 2022

It’s a fittingly mediocre end to a franchise that has always been OK with being average…

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Review of The Mitchells vs. the Machines (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Jan 2022

While The Mitchells vs. the Machines has its points to make, it’s also deftly funny, and never didactic…

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Review of Shattered (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Jan 2022

It’s all too bland, the smooth-crotched erotic thriller equivalent of banging a G.I. Joe and a Barbie together…

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Review of Courage (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 12 Jan 2022

Honoring its title, Courage finds its most goosebump-inducing imagery in the solemn moments of a hurt yet emboldened populace standing united…

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Review of Courage (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 12 Jan 2022

Honoring its title, Courage finds its most goosebump-inducing imagery in the solemn moments of a hurt yet emboldened populace standing united…

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Review of Courage (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 12 Jan 2022

Honoring its title, Courage finds its most goosebump-inducing imagery in the solemn moments of a hurt yet emboldened populace standing united…

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Review of Italian Studies (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 12 Jan 2022

It’s an odd sort of travelogue Leon and Kirby curate here, but Italian Studies’ drifting, artsy peculiarities make 70 minutes fly by with…

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