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Review of Sharp Stick (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 23 Jan 2022

On the periphery of the film – in the very interesting dynamics of Sarah Jo’s family, in the tart sarcasm of some of the character details…

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Review of Cha Cha Real Smooth (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 23 Jan 2022

There’s a slightness to this tale, and also a nagging familiarity in its exploration of twenty-something restlessness, but Raiff’s compassionate…

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Review of Breaking (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 23 Jan 2022

Superb performances from Boyega and the late Michael Kenneth Williams highlight this sombre, character-driven tale…

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Review of Till Death (2021)

By Ben_S (1,411) on 23 Jan 2022

Slow to start, subpar acting from the lead, but a genuinely interesting movie nonetheless…

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Review of Cha Cha Real Smooth (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 23 Jan 2022

Building on the strengths of his justly celebrated debut, maintaining its distinctive point-of-view while broadening the scope of its sympathy,…

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Review of Breaking (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 23 Jan 2022

It’s a film that hits some narrative bumps along the way without diminishing its tougher observations about race, the police, and the treatment…

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Review of Cha Cha Real Smooth (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Jan 2022

Raiff scales up the disarming earnestness of his debut without losing any of its DIY intimacy…

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Review of Palm Springs (2020)

By Dawdlingpoet (1,123) on 23 Jan 2022

This is a fairly lazy sort of Groundhog Day type film about two people who find themselves living the same day over and over again…

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Review of Censor (2021)

By Dawdlingpoet (1,123) on 23 Jan 2022

This film reminded me of Mandy - the Nicolas Cage film (a remake, I think it was?)…

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Review of Nightmare Alley (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 23 Jan 2022

Years ago, I compared Del Toro to Orson Welles, a film-maker who instinctively understood the hypnotic power of cinema to dazzle, delight and…

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Review of Breaking (2022)

By Chris Barsanti (896) for Slant Magazine (8,298) on 23 Jan 2022

Abi Damaris Corbin’s quiet and unobtrusive style helps 892 build tension primarily from character instead of incident…

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Review of When You Finish Saving the World (2023)

By Chris Barsanti (896) for Slant Magazine (8,298) on 23 Jan 2022

Jesse Eisenberg’s satire hits its targets dead on, but he flattens his mother-and-son narcissists to the point of caricature…

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Review of The Breakfast Club (1985)

By Filipeneto (856) on 23 Jan 2022

I had pretty low expectations for this movie, as I don't really like teen movies. However, I must admit that the film is good and well-made…

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Review of The Children's Hour (1961)

By Filipeneto (856) on 23 Jan 2022

This film was based on a play that ran for some time on Broadway, and which gave rise to a film in the Thirties…

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Review of After Yang (2022)

By Todd Gilchrist (762) for TheWrap (3,203) on 23 Jan 2022

The control and confidence of its form, paired with an emotionality that is at once effortless and irresistibly powerful, makes the film feel…

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Review of Fresh (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jan 2022

Cave has a smart, stylish way of storytelling that somehow makes a film built on bone saws and grotesqueries feel almost breezy…

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Review of Cha Cha Real Smooth (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jan 2022

Cha Cha feels like both a fitting showcase for a young auteur like Raiff and a larger marker of how much movie masculinity has evolved: a real-smooth…

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Review of Sharp Stick (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jan 2022

The movie's final frame asks us to believe that Sarah Jo has finally, ecstatically found herself; by then, whatever reason we have for watching…

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Review of Sharp Stick (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 23 Jan 2022

It has the air of a television-show fragment, and not just because its initial entanglement feels like the stuff of a pilot, something that…

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Review of Sharp Stick (2022)

By Kate Erbland (681) for IndieWire (3,631) on 23 Jan 2022

Attempts to ride the film through its own uncomfortable wavelength do offer some treats, even if they all come with caveats…

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