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Review of The King's Daughter (2022)

By Tvjerry (1,783) on 25 Jan 2022

This film was made in 2014, but took til 2022 to be released…

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Review of Compartment No. 6 (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Jan 2022

An observation that when you’re running away, it doesn’t matter where you’re running to as much as it matters where you’re running…

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Review of Call Jane (2022)

By Chris Barsanti (896) for Slant Magazine (8,298) on 25 Jan 2022

The film consistently fails to underline the risks and pressures faced by the women in an underground abortionist network in Chicago in the…

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Review of Compartment No. 6 (2021)

By Richard Brody (868) for The New Yorker (1,837) on 25 Jan 2022

The movie sinks, fast and deep, under the weight of dramatic shortcuts, overemphatic details, undercooked possibilities, unconsidered implications…

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Review of One Shot (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 25 Jan 2022

It has risibly cliched dialogue and wooden, poorly directed acting from a B-to-G list cast, but it appears to be shot in one continuous take…

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Review of Good Luck to You, Leo Grande (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jan 2022

Thompson is, unsurprisingly, a force: alternately brittle and vulnerable and mordantly witty, her whole body vibrating with a lifetime's worth…

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Review of Werewolves Within (2021)

By Geewah (593) on 25 Jan 2022

Neither that funny or that scary. A movie that could of been so much more but in the end becomes a dull ride…

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Review of Bob Spit: We Do Not Like People (2021)

By Michael Nordine (446) for Variety (12,700) on 25 Jan 2022

“Bob Spit” is most notable for its formal approach, which intermingles animated interviews of Angeli with a bizarre, at times surreal narrative…

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Review of After Yang (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 25 Jan 2022

With such a slow and empty buildup, After Yang often feels as disconnected as most everyone is in the film…

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Review of Good Luck to You, Leo Grande (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 25 Jan 2022

Bolstered by fantastic, memorable performances, Good Luck to You, Leo Grande is an understated, empowering, and charismatic film that does…

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Review of Watcher (2022)

By Derek Smith (382) for Slant Magazine (8,298) on 25 Jan 2022

Watcher gives a feminist twist to a throwback genre, but never does its topicality dilute its gripping suspense…

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Review of Pinocchio (1940)

By Habibiehakim (321) on 25 Jan 2022

Being the second Disney film after Snow White, I found myself way more enjoying Pinocchio, the movie have a lot more things to do, it was an…

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Review of When You Finish Saving the World (2023)

By Vince Mancini (256) for Uproxx (697) on 25 Jan 2022

To its credit, When You Finish Saving The World is only 85 minutes long, so even if it doesn’t exactly set the world on fire at least it…

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Review of Fresh (2022)

By Vince Mancini (256) for Uproxx (697) on 25 Jan 2022

It’s silly without being stupid, smart without being dull, and broad without being corny…

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Review of Speak No Evil (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 25 Jan 2022

Those looking for bleak, slow horror and who are willing to suspend plenty of disbelief might want to check it out, but it won’t rock the…

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Review of When You Finish Saving the World (2023)

By Siddhant Adlakha (174) for IGN (1,013) on 25 Jan 2022

Led by moving performances from Julianne Moore and Finn Wolfhard, the film takes a roundabout approach to its drama, resulting in a realistic…

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Review of After Yang (2022)

By Siddhant Adlakha (174) for IGN (1,013) on 25 Jan 2022

With melancholy performances and an eye for natural beauty, Kogonada’s second feature film draws from masters of the past to create a glowing…

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Review of Dual (2022)

By Siddhant Adlakha (174) for IGN (1,013) on 25 Jan 2022

Writer-director Riley Stearns transforms depression and disappointment into a hilarious confrontation of death and a peculiar tale of self-image…

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Review of Hulk (2003)

By Kelvinselimor (157) on 25 Jan 2022

Hulk. Green fury. He is a scientist, and he is a crushing monster…

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Review of The Tragedy of Macbeth (2021)

By Mattyice (134) on 25 Jan 2022

While it is practically an abridged straight version of Macbeth, the Tragedy of Macbeth is a unique adaptation of the Scottish Play that mesmerizes…

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