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Review of Emily the Criminal (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 26 Jan 2022

A cool, confident debut whose steady build mirrors the increasing stakes faced by its namesake, John Patton Ford’s Emily the Criminal is…

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Review of Speak No Evil (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 26 Jan 2022

The director shoots and cuts almost every scene so that the most innocuous action seems charged with the expectation that something awful is…

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Review of God's Country (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 26 Jan 2022

Julian Higgins’ first feature can be taken as a drama with thriller elements or a low-key thriller with atypical dramatic nuance, working…

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Review of Something in the Dirt (2022)

By Joshua Rothkopf (1,058) for Entertainment Weekly (6,953) on 26 Jan 2022

Doubling down on COVID-era listlessness and QAnon paranoia, the impressively fidgety, crammed-to-bursting Something in the Dirt ends up with…

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Review of Honk for Jesus. Save Your Soul. (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 26 Jan 2022

Hall and Brown are a glorious kick to watch, their physicality at times bordering on slapstick…

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Review of Emily the Criminal (2022)

By Amy Nicholson (961) for Variety (12,700) on 26 Jan 2022

Despite the fact that the camera rarely backs away from studying Plaza’s wary eyes and tense mouth in close-up, this character piece feels…

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Review of Hatching (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Jan 2022

A fascinating window into the psychological and emotional minefield of early puberty and the torn feelings of a vulnerable child watching her…

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Review of Amulet (2020)

By David Jenkins (910) for Little White Lies (3,136) on 26 Jan 2022

A wildly ambitious, idiosyncratic and very English domestic horror story baked in the mould of Clive Barker’s seminal S&M gore wig-out, Hellraiser,…

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Review of Sharp Stick (2022)

By Chris Barsanti (896) for Slant Magazine (8,298) on 26 Jan 2022

Sharp Stick shows that Lena Dunham’s preference for solipsistic protagonists with boundary issues has its limitations…

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Review of Something in the Dirt (2022)

By Jason Bailey (832) for The Playlist (3,871) on 26 Jan 2022

Their latest fusion of science fiction, character drama, dark comedy, and overwhelming paranoia, Something in the Dirt, feels like their most…

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Review of Speak No Evil (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2022

Pay no attention to the shades of late-night cable in the title; Speak No Evil is a lamentably generic name for a movie as stark and unsettling…

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Review of Emily the Criminal (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2022

Ford imbues his story with a tense, vibrating energy, moving briskly between the breathlessness of a heist thriller and the sharper barbs of…

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Review of You Won't Be Alone (2022)

By Simon Abrams (730) for TheWrap (3,203) on 26 Jan 2022

You Won’t Be Alone may not be a dumb or unimaginative exercise in style, but it also rarely encourages viewers to engage meaningfully with…

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Review of Honk for Jesus. Save Your Soul. (2022)

By Simon Abrams (730) for TheWrap (3,203) on 26 Jan 2022

A strong ensemble cast, led by Sterling K…

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Review of Honk for Jesus. Save Your Soul. (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Jan 2022

Featuring stars Regina Hall and Sterling K. Brown doing predictably divine work (do these two performers know any other way…

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Review of Hatching (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Jan 2022

Bergholm is skilled at keeping the tension high while finding amusing pockets of pure comedy (whatever Volanen is doing is genius, full stop),…

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Review of Emily the Criminal (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Jan 2022

You always know a Plaza performance will be good, but over the past few years, Plaza has seemed to make it a priority to surprise her audiences…

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Review of My Son (2021)

By Mauro_Lanari (665) on 26 Jan 2022

(Mauro Lanari) Taken with the script written on a coriander. Nothing else to add…

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Review of My Son (2021)

By Mauro_Lanari (665) on 26 Jan 2022

(Mauro Lanari) Taken with the script written on a coriander. Nothing else to add…

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Review of My Son (2021)

By Mauro_Lanari (665) on 26 Jan 2022

(Mauro Lanari) Taken with the script written on a coriander. Nothing else to add…

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