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Review of Bigbug (2022)

By Oli Welsh (16) for Polygon (677) on 11 Feb 2022

Bigbug’s garish and confusing world does linger in the mind after the credits roll, primarily because we’re only permitted to see a tiny…

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Review of Marry Me (2022)

By Kadanka (11) on 11 Feb 2022

Another generic rom com featuring JL. Yawn doesn’t even scratch the surface, even for free on peacock…

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Review of Playground (2022)

By Susannah Gruder (11) for IndieWire (3,631) on 11 Feb 2022

While Wandel does well to leave some things to the imagination, like what happens beyond the schoolyard, she not-so-subtly nails the point…

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Review of Playground (2022)

By Susannah Gruder (11) for IndieWire (3,631) on 11 Feb 2022

While Wandel does well to leave some things to the imagination, like what happens beyond the schoolyard, she not-so-subtly nails the point…

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Review of Bigbug (2022)

By Mitchell Beaupre (10) for The Film Stage (3,162) on 11 Feb 2022

There’s a lot going on in Bigbug, yet at the same time it can feel like there’s too little meat on the bone here, particularly when stretched…

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Review of Marry Me (2022)

By Rogan Graham (10) for Little White Lies (3,136) on 11 Feb 2022

Whether you laugh with or at Marry Me, the odds are you will laugh. So that’s a win…

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Review of Blacklight (2022)

By Katarina Docalovich (5) for Paste Magazine (2,906) on 11 Feb 2022

Poor writing and direction suffocate Neeson so thoroughly that he can’t be charming, nor weathered, nor any other distinguishable feature;…

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Review of Marry Me (2022)

By Sydney Urbanek (4) for Paste Magazine (2,906) on 11 Feb 2022

Marry Me shapes up as a two-hour ode to rom-coms themselves, which have famously suffered a bit of a downturn in recent years…

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Review of Marry Me (2022)

By Rattsbreath (4) on 11 Feb 2022

Jennifer Lopez is getting old, and so are the fake reviews. This movie fails on every level…

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Review of The Sky Is Everywhere (2022)

By Ciara Wardlow (3) for RogerEbert.com (5,563) on 11 Feb 2022

The end result is that particularly crumbly kind of book-to-film adaptation that comes across more like a SparkNotes you can watch, a story…

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Review of The Tragedy of Macbeth (2021)

By Georgeyboy1 (3) on 11 Feb 2022

Visually stunning with superb cinematography, sound, production design and lighting…

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Review of The Tragedy of Macbeth (2021)

By Georgeyboy1 (3) on 11 Feb 2022

Visually stunning with superb cinematography, sound, production design and lighting…

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Review of Kimi (2022)

By Cjhandley (2) on 11 Feb 2022

One of the most distractingly unlikable characters ever in a film…

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Review of The Sky Is Everywhere (2022)

By Lacy Baugher (1) for Paste Magazine (2,906) on 11 Feb 2022

The Sky Is Everywhere is an emotional ride, one that frequently skirts the line between sharply truthful and painfully saccharine…

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Review of The Power of the Dog (2021)

By Vgreenwev (1) on 11 Feb 2022

Power of the dog was not Oscar worthy…

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Review of Red Rocket (2021)

By Donstroganov (1) on 11 Feb 2022

Sexually appealing F*ing Masterwork!! This is what I expect relationships to be and so far life has been exactly this…

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Review of Last Man Down (2021)

By Blackwolfcold (1) on 11 Feb 2022

It Could be worse. The Muscle looks great, the action is bad, like early 70s bad C-movie bad…

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Review of Slaughter High (1986)

By Mckinleyjlm40 (1) on 11 Feb 2022

Good ole fashioned Horror movie! A must see for horror movie buffs, I recommend it…

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Review of X-Men: The Last Stand (2006)

By Ann Hornaday (1,919) for Washington Post (9,851) on 10 Feb 2022

Ratner makes a hash of the story and characters his predecessor brought to such complex, sympathetic life, delivering a pumped-up exercise…

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Review of The Sky Is Everywhere (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 10 Feb 2022

And our child-actress-turned-young adult girl-next-door lead makes this flawed heroine sympathetic enough that she wears you down even as the…

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