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Review of Three Months (2022)

By Peter Debruge (1,557) for Variety (12,700) on 24 Feb 2022

Writer-director Jared Frieder’s feature debut feels like the LGBT equivalent of “Juno”: snappy and refreshingly nonjudgmental in dealing…

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Review of Three Months (2022)

By Peter Debruge (1,557) for Variety (12,700) on 24 Feb 2022

Writer-director Jared Frieder’s feature debut feels like the LGBT equivalent of “Juno”: snappy and refreshingly nonjudgmental in dealing…

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Review of Cyrano (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 24 Feb 2022

Cyrano slips in and out of that realm fitfully; it’s not always the most graceful retelling of this oft-told tale, and its ardent defense…

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Review of Studio 666 (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 24 Feb 2022

The jokes are stale, the energy is stilted, and the whole thing feels like a misbegotten vanity exercise cooked up in the pandemic to keep…

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Review of Hellbender (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 24 Feb 2022

While there’s always a humorous slant to proceedings (kudos to Shawn Wilson’s endearingly pure park ranger), that edge of danger is where…

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Review of Cyrano (2021)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 24 Feb 2022

The story – two guys, one girl, much deceit – is eternally contemporary…

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Review of Three Months (2022)

By Kate Erbland (681) for IndieWire (3,631) on 24 Feb 2022

There need to be more films like this, if only so the LGBTQ kids seeking them out will realize how normal their own experiences are…

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Review of Three Months (2022)

By Kate Erbland (681) for IndieWire (3,631) on 24 Feb 2022

There need to be more films like this, if only so the LGBTQ kids seeking them out will realize how normal their own experiences are…

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Review of CODA (2021)

By Mattbrady99 (654) on 24 Feb 2022

While a bit cliched at times, but man what an emotional movie with plenty of heart to go around. All the cast were stellar…

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Review of Coda (2021)

By Mattbrady99 (654) on 24 Feb 2022

While a bit cliched at times, but man what an emotional movie with plenty of heart to go around. All the cast were stellar…

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Review of Leatherface (2017)

By Panchogul (602) on 24 Feb 2022

A excepción de los últimos quince minutos de película, el título Leatherface sale sobrando, la historia de origen que quisieron darle al…

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Review of Big Gold Brick (2022)

By Nicolas Rapold (488) for The New York Times (9,847) on 24 Feb 2022

The title of this perfectly well-appointed production is apt: Big Gold Brick looks all right but it truly just sits there…

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Review of Hellbender (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 24 Feb 2022

If there’s a lesson to be taken from Hellbender, it’s this: Underestimate the small and unassuming at your own peril—whether that be…

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Review of Cop Land (1997)

By Gracjanski (417) on 24 Feb 2022

The movie is a bit too slow, but from the beginning you know, there is something not right and you want to know what…

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Review of Three Months (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Feb 2022

There’s so much going on in Three Months, so many emotional pieces in motion, but very little of it is particularly moving…

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Review of Three Months (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Feb 2022

There’s so much going on in Three Months, so many emotional pieces in motion, but very little of it is particularly moving…

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Review of West Side Story (2021)

By Metacriticonur (388) on 24 Feb 2022

Admirable [ ad-mer-uh-buhl ] adjective worthy of admiration; inspiring approval, reverence, or affection…

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Review of Blacklight (2022)

By Ginak (385) on 24 Feb 2022

Liam Neeson walks and grimaces through a typical Liam Neeson movie. If you want to get out of the house, you could do worse…

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Review of The Desperate Hour (2022)

By Derek Smith (382) for Slant Magazine (8,298) on 24 Feb 2022

The Desperate Hour’s broad, vague rendering of its characters is part and parcel of its troubling approach to its material…

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Review of The Lair of the White Worm (1988)

By Kai82 (336) on 24 Feb 2022

This movie is fascinating, enjoyable and unique. It is also strange and cheesy and I can see why other would rate it as garbage…

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