Browse Movie Reviews - Page 2,202 of 258,691

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Review of Ferris Bueller's Day Off (1986)

By Zaneycritic (2) on 25 Feb 2022

Classic, well constructed, rewarding payoff. The plot is a little bit cookie cutter but has been tried and tested to be good…

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Review of Blue Bayou (2021)

By Stanlainehardy (2) on 25 Feb 2022

This film is absolutely amazing. One of the best movies I watched this year. Give it a go, you won't regret it…

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Review of The Dark Knight (2008)

By Rizzzy (2) on 25 Feb 2022

This is the best movie I have ever seen. Story telling at its absolute best…

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Review of Annabelle Comes Home (2019)

By Themagickeg (1) on 25 Feb 2022

What a truly disappointing movie…

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Review of Texas Chainsaw Massacre (2022)

By Scarletcharlata (1) on 25 Feb 2022

This movie is horrendous…

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Review of Spider-Man: No Way Home (2021)

By Nickiam (1) on 25 Feb 2022

I really didn't like the fan service in this movie. The way they made the story go with multiverse and other Parkers…

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Review of Malignant (2021)

By Slasher666 (1) on 25 Feb 2022

Wan has some interesting stories to tell. Dead Silence and The Nun had secrets to reveal…

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Review of The King's Man (2021)

By Bookflix (1) on 25 Feb 2022

What could have been a film of brilliance is let down by a clear lack of understanding of the definition of ‘plot’…

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Review of The Long Walk (2019)

By Roger Moore (6,008) for Movie Nation (3,875) on 24 Feb 2022

There’s style and a vivid sense of place in this most unusual movie, a film of future tech and sonic booming jets and unelectrified farms…

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Review of The Desperate Hour (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 24 Feb 2022

Desperate Hour is well-intentioned, and there are flashes of genuine dramatic tension, thanks to Watts’ performance…

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Review of Cyrano (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 24 Feb 2022

Joe Wright’s well-intentioned adaptation of Erica Schmidt’s stage musical (itself drawn from Edmond Rostand’s 1897 play Cyrano de Bergerac)…

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Review of Ted K (2021)

By Jluis_001 (2,242) on 24 Feb 2022

The Unabomber story is interesting enough, but it could take a simplistic or throwaway approach if the script and direction were poor…

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Review of Petite Maman (2021)

By Jluis_001 (2,242) on 24 Feb 2022

The magic of a great filmmaker is to take something ordinary and make something amazing out of it…

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Review of Operation Finale (2018)

By Jluis_001 (2,242) on 24 Feb 2022

I liked the work of Oscar Isaac and Ben Kingsley, but even in the face of what the film does well in handling this true story, what it offers…

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Review of Cyrano (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 24 Feb 2022

From the moment Cyrano enters the action, his charisma and intelligence are on splendid display, and Dinklage — jaunty, melancholy, sly —…

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Review of Studio 666 (2022)

By Wesley Morris (1,967) for The New York Times (9,847) on 24 Feb 2022

No one tries for anything mightier than put-on dumbness because that’s the outer limit of where the acting, writing (by Jeff Buhler and Rebecca…

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Review of Cyrano (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 24 Feb 2022

Dinklage isn’t a strong singer, but it doesn’t matter a whit: his swaggering but vulnerable Cyrano, reveling in words but aching with love,…

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Review of Uncharted (2022)

By Tvjerry (1,783) on 24 Feb 2022

Tom Holland teams up with Mark Wahlberg in this adaptation of the titular video game…

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Review of Gasoline Alley (2022)

By Liam Lacey (1,725) for Original-Cin (1,156) on 24 Feb 2022

The script is a dazed, meandering, thing, involving drugs, pornography, neon-lit slo-mo, debauched starlets, car chases, soft-core sex scenes…

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Review of Hellbender (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Feb 2022

Like “The Deeper You Dig,” Hellbender gets better as it gets more surreal, but this one has a nice balance to the out-there imagery in…

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