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Review of Cyrano (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 25 Feb 2022

The casting is perfect in concept, and occasionally fulfills its promise, but in a notably imperfect film that’s afflicted by a benumbing…

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Review of Big Gold Brick (2022)

By Stephanie Zacharek (2,333) for Time (1,811) on 25 Feb 2022

Big Gold Brick may be a bit too enamored with its own quirkiness, but everything Garcia does, no matter how outlandish, feels perfectly natural…

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Review of Big Gold Brick (2022)

By Nick Schager (2,294) for Variety (12,700) on 25 Feb 2022

Everything and everyone lurches about in a desperate bid to be hilariously weird, and the effect is to make the proceedings feel hopelessly…

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Review of Big Gold Brick (2022)

By Jluis_001 (2,242) on 25 Feb 2022

In my mind I want to believe that Big Gold Brick seeks to define and offer itself as something different, and that could perhaps be taken into…

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Review of The Desperate Hour (2022)

By Jluis_001 (2,242) on 25 Feb 2022

If someone had told me that this film was just going to be 70 minutes of Naomi Watts running around, I don't think I would have been interested…

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Review of The Desperate Hour (2022)

By Wesley Morris (1,967) for The New York Times (9,847) on 25 Feb 2022

The only thing I want less than a thriller about a school shooting is a thriller whose other main character is the main character’s iPhone…

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Review of I'll Find You (2019)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 25 Feb 2022

I’ll Find You is an ideal diversion for those who like their cinematic escapism with heavy doses of music and love…

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Review of No Exit (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Feb 2022

Director Power orchestrates the thriller plot mechanics with reasonable skill, and the film’s concise 90-minute running time ensures that…

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Review of NO EXIT (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Feb 2022

Director Power orchestrates the thriller plot mechanics with reasonable skill, and the film’s concise 90-minute running time ensures that…

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Review of Big Gold Brick (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Feb 2022

Feature-length failures as abject as this one are almost frightening, in part because one worries about what kind of a snit the director will…

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Review of The Desperate Hour (2022)

By Liam Lacey (1,725) for Original-Cin (1,156) on 25 Feb 2022

As the film progresses, the idea of using a school shooting as a subject for a thriller feels deeply ill-conceived, undermining the gravity…

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Review of Tyler Perry's A Madea Homecoming (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 25 Feb 2022

It’s less a film than a compound disaster scenario for comedy: to say I didn’t laugh once is to understate the sheer volume and vehemence…

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Review of No Exit (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 25 Feb 2022

No Exit is imperfect and struggles to get going, but it's a grisly piece of work that earns your suspension of disbelief…

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Review of NO EXIT (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 25 Feb 2022

No Exit is imperfect and struggles to get going, but it's a grisly piece of work that earns your suspension of disbelief…

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Review of Studio 666 (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 25 Feb 2022

With better pacing and jokes, the film could have been a goof-off exercise to satisfy the midnight-madness crowd…

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Review of Cyrano (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 25 Feb 2022

That the film winds up cramped, underwhelming and strangely thwarted is hard to square with all the effort up on screen – or perhaps it just…

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Review of Tyler Perry's A Madea Homecoming (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 25 Feb 2022

Whether playing off his returning company of co-stars or swapping barbs with fellow drag comic O’Carroll, Perry’s giving one of his best…

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Review of Big Gold Brick (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Feb 2022

Brian Petsos’ interminable Big Gold Brick may be a film absent even the faintest trace of purpose or momentum — its endless parade of energy-less…

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Review of Studio 666 (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 25 Feb 2022

Studio 666 is not exactly a good film. It is not a particularly enjoyable one…

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Review of Cyrano (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 25 Feb 2022

Cyrano is a delicate dream of a movie, the kind of film that feels like you might have merely imagined it — light on the surface but long…

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Page 2,198 of 258,691

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