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Review of Cyrano (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 03 Mar 2022

Cyrano is a magnetic, musical romance that peels back the layers of its title character in new, exciting ways…

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Review of The Duke (2021)

By Clarisse Loughrey (259) for The Independent (259) on 03 Mar 2022

The Duke reminds us once more, [Michell] knew how to get the very best out of his actors without forcing unnecessary dramatics…

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Review of Nightride (2022)

By Calum Marsh (242) for The New York Times (9,847) on 03 Mar 2022

The one-take gimmick — much easier to achieve now thanks to digital cameras —has become common enough that it barely qualifies as novel…

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Review of The Long Walk (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 03 Mar 2022

The reward for waiting for the fog to lift is a movie that presents a unique take on science fiction, one that looks for the ghosts that linger…

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Review of The Kindergarten Teacher (2018)

By R96Sk (195) on 03 Mar 2022

A strange one…

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Review of The Batman (2022)

By Gregory Wakeman (182) for Christian Science Monitor (3,788) on 03 Mar 2022

Although it does disappointingly go over the top on occasion, there’s just too much depth and style to The Batman for it to be anything other…

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Review of Drive My Car (2021)

By Siddhant Adlakha (174) for IGN (1,013) on 03 Mar 2022

A work of shattering empathy, Drive My Car makes you stare long and hard at people’s withholding exteriors as it carefully chips away at…

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Review of CODA (2021)

By Aj_13 (170) on 03 Mar 2022

CODA, despite its simplicity and, at times, archetypicality, manages to stand out for its warmth and, above all, for its magnificent cast…

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Review of Coda (2021)

By Aj_13 (170) on 03 Mar 2022

CODA, despite its simplicity and, at times, archetypicality, manages to stand out for its warmth and, above all, for its magnificent cast…

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Review of Jockey (2021)

By Kim Hughes (164) for Original-Cin (1,156) on 03 Mar 2022

American drama Jockey is superb, the perfect confluence of a great story expertly directed, with outstanding performances, stunning cinematography,…

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Review of Lucy and Desi (2022)

By Natalia Winkelman (145) for The New York Times (9,847) on 03 Mar 2022

Here is a documentary that invites us to delight in the unexpected pairing of a famed funny lady and a hunky musician — but without analysis…

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Review of Train to Busan (2016)

By Coregamer1408 (144) on 03 Mar 2022

I would say this look like a good quality TV movie…

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Review of Family Squares (2022)

By Ferdosa Abdi (130) for Screen Rant (892) on 03 Mar 2022

As a film birthed from the pandemic, the presentation already feels outdated…

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Review of Catwoman (2004)

By Darkwingschmuck (102) on 03 Mar 2022

Director Pitof saw Batman & Robin, looked Joel Schumacher right in the eye, and said, hold my beer…

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Review of Batman Forever (1995)

By Darkwingschmuck (102) on 03 Mar 2022

Joel Schumacher's first time in the directors chair turns the Batman franchise into a complete farce…

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Review of Batman Returns (1992)

By Darkwingschmuck (102) on 03 Mar 2022

Despite equally as strong performances and an equally as strong art direction, Tim Burton's Batman sequel keeps itself from matching its predecessor…

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Review of The Weekend Away (2022)

By Rachel Labonte (78) for Screen Rant (892) on 03 Mar 2022

Though Meester puts on a solid performance atop an intriguing plot, The Weekend Away doesn't supply enough thrills to make it an entertaining watch…

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Review of Against the Ice (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 03 Mar 2022

Sigh. If only a good cast was enough to salvage a plodding, tedious film from the snowy wreckage…

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Review of Against the Ice (2022)

By Profamateur (71) on 03 Mar 2022

Can recommend. Try it out if you are in the mood for a drama. Was neither crazy good but also not bad…

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Review of Huda's Salon (2022)

By Devika Girish (70) for The New York Times (9,847) on 03 Mar 2022

Where Abu-Assad falters is in turning Huda into a didactic mouthpiece for the very themes that Reem’s tribulations, filmed up-close with…

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