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Review of Bodies Bodies Bodies (2022)

By Marya E. Gates (65) for The Playlist (3,871) on 17 Mar 2022

By combining petty drama, deadpan humor, and the terror of human emotions, the filmmakers effortlessly straddle a liminal space between comedy…

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Review of Deep Water (2022)

By Tara Bennett (62) for IGN (1,013) on 17 Mar 2022

Deep Water aspires to be a boundary-pushing erotic thriller but is stuck treading water in the kiddie pool…

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Review of Deep Water (2022)

By Emily Zemler (55) for Observer (1,042) on 17 Mar 2022

It’s not exactly a dull watch—two hours pass quickly—but it’s a purposeless one. Everyone involved, especially the puppy, deserved better…

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Review of JFK Revisited: Through the Looking Glass (2021)

By Roberthoward (54) on 17 Mar 2022

While it has its flaws and Stone's theories are open for debate, the very least JFK Revisited does is to stimulate the viewer to ask questions…

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Review of Drive My Car (2021)

By Tapr (52) on 17 Mar 2022

Cinematograficamente PERFEITO! Direção, roteiro, atuações, fotografia... Esse filme atinge maestria de cinema em tudo…

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Review of Moon Manor (2022)

By Debopriyaa Dutta (45) for Screen Rant (892) on 17 Mar 2022

Moon Manor is an absolute triumph, one which celebrates life and embraces death while touching upon the bittersweetness of everything that…

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Review of Gone in the Night (2022)

By Michael Talbot-Haynes (42) for Film Threat (5,156) on 17 Mar 2022

The Cow is a powerhouse creeper where one of the great actresses of her generation shows us how it’s done…

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Review of Soft & Quiet (2022)

By Michael Talbot-Haynes (42) for Film Threat (5,156) on 17 Mar 2022

Soft and Quiet is the most unsettling real-life horror movie since Henry: Portrait of a Serial Killer…

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Review of Jane by Charlotte (2022)

By Mark Peikert (39) for IndieWire (3,631) on 17 Mar 2022

As they bond and converse, their conversations take on a closed aspect, never inviting us in to their increasingly close relationship…

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Review of Tony Hawk: Until the Wheels Fall Off (2022)

By Ethan Anderton (34) for Slashfilm (971) on 17 Mar 2022

This is the definitive chronicle of Tony Hawk's incredible rise to become the face of modern skateboarding…

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Review of The Outfit (2022)

By Sarah Jane (34) for Austin Chronicle (7,653) on 17 Mar 2022

While there’s no denying that the well-tailored Outfit starts slowly, once it finally gets going the mystery is fun to work out…

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Review of More Than Robots (2022)

By Ethan Anderton (34) for Slashfilm (971) on 17 Mar 2022

Gillian Jacobs doesn't necessarily break new ground with More Than Robots, but the film is still a lovely look at some promising kids from…

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Review of Umma (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 17 Mar 2022

The most frightening part of Umma is not the ghostly apparition of Amanda’s mother, but Amanda herself…

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Review of Turning Red (2022)

By Samichsupernova (28) on 17 Mar 2022

I am a 34-year-old Asian man and I find this movie totally dumb and weak. The script and plot are all over the place…

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Review of West Side Story (2021)

By Markini (27) on 17 Mar 2022

West Side Story (2021) is one of the best musicals I've seen in a long time…

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Review of The Outfit (2022)

By Lauren J. Coates (21) for The Playlist (3,871) on 17 Mar 2022

Even with a relative lack of action, and a confusing attitude towards introducing and removing characters from the narrative in rapid succession,…

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Review of Fresh (2022)

By Sophie Butcher (19) for Empire (3,446) on 17 Mar 2022

It’s as subtle as a sledgehammer, but Fresh’s audacious storytelling, full-throated performances and accomplished direction make for a…

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Review of Paris, 13th District (2021)

By Sophie Butcher (19) for Empire (3,446) on 17 Mar 2022

Sharply written, beautifully shot, but confusingly paced, Paris, 13th District is an enjoyable if forgettable snapshot of modern love and…

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Review of Umma (2022)

By Tracy Brown (16) for Los Angeles Times (12,977) on 17 Mar 2022

Think more classic Gothic horror than ghastly over-the-top occult…

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Review of Freddy's Dead: The Final Nightmare (1991)

By Narwhale73 (15) on 17 Mar 2022

Terrible and nonsensical movie. Terrible acting on all fronts, more retconning and the plot is both borong and predictable…

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