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Review of Umma (2022)

By Andrew Barker (315) for Variety (12,700) on 17 Mar 2022

Oh aces her leading role with customary aplomb, and Stewart makes for a game scene partner, but Shim’s economical-to-a-fault screenplay rarely…

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Review of Black Crab (2022)

By Chris Evangelista (306) for Slashfilm (971) on 17 Mar 2022

Those craving some gloomy, unforgiving post-apocalyptic drama might get a kick out of what's on display here…

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Review of Fresh (2022)

By Clarisse Loughrey (259) for The Independent (259) on 17 Mar 2022

To frame it in Fresh’s own language, all we get here is a single bite – not the whole steak…

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Review of Cheaper by the Dozen (2022)

By Calum Marsh (242) for The New York Times (9,847) on 17 Mar 2022

The ensemble of children has a natural, authentic-seeming rapport, and Braff and Union, as the beleaguered but loving parents, have an easy,…

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Review of Black Crab (2022)

By Charles Bramesco (223) for The Guardian (2,969) on 17 Mar 2022

A pacifist parable taking a brave stand against nothing, totally removed from the sociocultural landscape of today’s Sweden, it sounds out…

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Review of More Than Robots (2022)

By Teo Bugbee (199) for The New York Times (9,847) on 17 Mar 2022

Like many of the young inventors she documents, Jacobs has created a project that doesn’t fall apart at first touch…

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Review of The Adam Project (2022)

By Dubeau (192) on 17 Mar 2022

Adam Project was a fairly entertaining film. The story is good, especially the jokes and dialogues…

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Review of I Love My Dad (2022)

By Bobby Lepire (183) for Film Threat (5,156) on 17 Mar 2022

While it is not for everyone, those who can stomach the admittedly cringey, well everything about the plot, will find much to love…

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Review of Deadstream (2022)

By Bobby Lepire (183) for Film Threat (5,156) on 17 Mar 2022

Thanks to strong direction, fantastic editing, and good acting, Deadstream is frightening, funny, and enjoyable…

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Review of Cheaper by the Dozen (2022)

By Josh Spiegel (148) for Slashfilm (971) on 17 Mar 2022

Cheaper by the Dozen, every time it tries to walk down a thornier path, seems to be guided away by executive fiat to ensure that nothing gets…

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Review of More Than Robots (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 17 Mar 2022

More Than Robots’ honeyed narrative is troubled by a tension between Jacobs’ interest in her subjects’ individual experiences and the…

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Review of Bodies Bodies Bodies (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 17 Mar 2022

Fans of the genre might struggle to fully buy Bodies Bodies Bodies’ slasher intrigue, but it would be difficult to deny the strength of the…

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Review of Soft & Quiet (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 17 Mar 2022

The film — and in turn the director — demands a lot from viewers; even with ample warning and disclaimers, it won’t be for everyone…

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Review of Cheaper by the Dozen (2022)

By Ferdosa Abdi (130) for Screen Rant (892) on 17 Mar 2022

It is great that this blended family is so diverse, but if there is no thoughtful integration of their stories, they remain merely set dressing…

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Review of Jane by Charlotte (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 17 Mar 2022

It might not be a broadly relatable piece of cinema, but its commitment to one family’s healing across matriarchal lines is wholesome and…

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Review of The Outfit (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 17 Mar 2022

Despite its many twists, The Outfit is a fairly straightforward thriller, buoyed by its sharp narrative turns and a quietly subversive Rylance…

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Review of The Unbearable Weight of Massive Talent (2022)

By Rafael Motamayor (108) for Polygon (677) on 17 Mar 2022

The film works like gangbusters, and it’s a terrific vehicle for Cage, but not for the reasons people might expect…

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Review of Jane by Charlotte (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 17 Mar 2022

Clearly a pet project for Gainsbourg (whose own electronic pop songs feature prominently in the soundtrack, clashing against her mother’s…

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Review of Rescued by Ruby (2022)

By Rachel Labonte (78) for Screen Rant (892) on 17 Mar 2022

All told, Rescued by Ruby is perhaps not the most revolutionary dog movie audiences are likely to find, but it will certainly do the trick…

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Review of Bodies Bodies Bodies (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 17 Mar 2022

When all is said and done, Bodies is everything it sets out to be…

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