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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Peter Travers (3,602) for ABC News (186) on 15 Apr 2022

Enchantment still beckons in the third of J.K…

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Review of Paris, 13th District (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 15 Apr 2022

The film isn’t just about their search for love and the vagaries of modern dating, but the craziness of life as it’s lived by passionate,…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Jluis_001 (2,242) on 15 Apr 2022

In The Crimes of Grindelwald I waited the whole film to see those crimes and they never appeared…

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Review of The Lost City (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 15 Apr 2022

The Lost City is what could be described as knowingly dated: it’s a film designed to make you regret they don’t make ’em like this any…

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Review of Choose or Die (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 15 Apr 2022

At least until its bonkers final act, Choose or Die consistently fails to fulfill on the truly hallucinatory promise of its premise…

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Review of Paris, 13th District (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 15 Apr 2022

Audiard is invigorated by these vibrant, gorgeous young people, delivering one of the most sexually active films in years, even for the French…

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Review of Navalny (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 15 Apr 2022

Daniel Roher’s shrewd portrait makes the point that Navalny is half-politician, half-journalist; blending the two with his affable charisma…

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Review of Operation Mincemeat (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 15 Apr 2022

A cram-it-all-in adaptation of Ben Macintyre’s 2010 history book of the same name, which knuckles down to its task with sleeves rolled, upper…

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Review of Paris, 13th District (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 15 Apr 2022

Mostly, Audiard leans assuredly on his actors, gently pushing each one toward a simple, ordinary, never-irrelevant question — what does your…

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Review of Father Stu (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 15 Apr 2022

Intermittently, Father Stu hints at Long’s fascinating contradictions — his earthy bluntness mixing with his sensitive belief in the divine…

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Review of The Unbearable Weight of Massive Talent (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 15 Apr 2022

A satire of Hollywood ego, a loving tribute to Cage’s hair-trigger intensity and a consistently funny bromance, Massive Talent doesn’t…

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Review of Chariot (2022)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 15 Apr 2022

From the cast to its odd, intriguing locations, Sigal was successful in assembling many of the right ingredients…

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Review of Choose or Die (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 15 Apr 2022

While there have been worse-crafted, even more routinely formulaic Netflix horror efforts, this one takes the cake for sheer whateverness of…

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Review of The Cellar (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 15 Apr 2022

Writer-director Brendan Muldowney’s latest lacks the thick atmospherics that might have punched across a sketchy screenplay, which falls…

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Review of Ford v Ferrari (2019)

By Dawdlingpoet (1,123) on 15 Apr 2022

I really enjoyed this film by the end - its a little slow to build plot wise in the first half but the performances by the two main stars (Matt…

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Review of The Lost City (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 15 Apr 2022

Sure, the film borrows shamelessly from Romancing the Stone, but that film was itself slip-streaming behind Raiders of the Lost Ark…

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Review of The Cellar (2022)

By Matt Donato (975) for Slashfilm (971) on 15 Apr 2022

It's a solid Friday night spookshow with solid bones and a divisive finisher — harmless horror entertainment that at least strives to be…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Brian Lowry (913) for CNN (497) on 15 Apr 2022

Like The Crimes of Grindelwald, Secrets of Dumbledore is handsomely done but ultimately too much of a dumble-snore…

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Review of Choose or Die (2022)

By Ben Kenigsberg (863) for The New York Times (9,847) on 15 Apr 2022

If any creativity went into Choose or Die, a by-turns creepy and hacky feature debut from Toby Meakins, it appears to have been directed solely…

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Review of Riders of Justice (2020)

By Alejandro970 (859) on 15 Apr 2022

What in the hands of another producer would have been another action movie of the bunch, here Denmark did something more interesting that combines…

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