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Review of The Bad Guys (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 18 Apr 2022

Based on the children’s books by Aaron Blabey, the plot isn’t all that, but The Bad Guys sparkles to life when it’s at its most antic…

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Review of Petite Maman (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 18 Apr 2022

Petite Maman immerses the viewer in all the things you might have forgotten about childhood — what’s funny to a child, what’s valued,…

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Review of Islands (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 18 Apr 2022

It is indeed a good movie, and quite an honest one, yet its setup is so ripe for cut corners and heartwarming chintz that I was almost surprised…

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Review of Chariot (2022)

By Jluis_001 (2,242) on 18 Apr 2022

Ambitious? Yes, but that's all it is. The ambition of its theme…

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Review of The Deep House (2021)

By Jluis_001 (2,242) on 18 Apr 2022

It was an interesting change to the haunted house formula, but in itself the mystery developed here is kinda poor, and also the same environment…

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Review of Catch the Fair One (2022)

By Jluis_001 (2,242) on 18 Apr 2022

Admittedly, I don't think it lives up to what it sets out to do, but in the world of evil to which this story opens its door, it more than…

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Review of Shirkers (2018)

By Jluis_001 (2,242) on 18 Apr 2022

For the love of film, one can perfectly understand all that the creator of this documentary felt and how she saw her dream shattered for so…

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Review of The Fearless Vampire Killers (1967)

By Jluis_001 (2,242) on 18 Apr 2022

I hate to say the word, but I think this film does fall into the overrated category…

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Review of Last Looks (2022)

By Jluis_001 (2,242) on 18 Apr 2022

You'd think Charlie Hunnam would have better offerings than this washed out, incoherent tale that somehow manages to get a style entertaining…

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Review of Choose or Die (2022)

By Tvjerry (1,783) on 18 Apr 2022

Two coders (Iola Evans & Asa Butterfield) discover an 80s computer game that causes all manner of vicious outcomes…not to the player, but…

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Review of Islands (2022)

By Liam Lacey (1,725) for Original-Cin (1,156) on 18 Apr 2022

The narrative arc of Islands, so minimalist it’s really more of a slow bump, is about the gradual breaking down of Joshua’s small shell…

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Review of In the Heights (2021)

By Dawdlingpoet (1,123) on 18 Apr 2022

This is a jolly musical with heart, like other Lin Manuel Miranda musicals (he's involved in this one too)…

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Review of Summerland (2020)

By Dawdlingpoet (1,123) on 18 Apr 2022

It's hard to say much about this film without giving away potential spoilers but I really liked it overall. Its not what it initially seems…

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Review of Summerland (2020)

By Dawdlingpoet (1,123) on 18 Apr 2022

It's hard to say much about this film without giving away potential spoilers but I really liked it overall. Its not what it initially seems…

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Review of Ambulance (2022)

By Anthony Lane (1,079) for The New Yorker (1,837) on 18 Apr 2022

Every Bay film is cheesy, but this one counts as high-speed cheese, grilled to the max by Danny’s thoughtful advice: “Just. Drive. Fast.”…

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Review of Paris, 13th District (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 18 Apr 2022

The movie has pace and lustre to spare, and the actors are richly invested in their characters, not hesitating to make them crabby and selfish,…

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Review of The Northman (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 18 Apr 2022

While the Norns-of-fate narrative may contrive several reversals of fortune and sympathy, there’s little of the genuinely uncanny weirdness…

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Review of Hit the Road (2021)

By Richard Brody (868) for The New Yorker (1,837) on 18 Apr 2022

A work of practical realism that stands as a manifesto for the imaginative power of observation and for the political power of the imagination…

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Review of The Unbearable Weight of Massive Talent (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 18 Apr 2022

A cheap, crass and ruthlessly sloppy skewering of celebrity culture that is barely a millimetre above the material it thinks it is so sharply…

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Review of Islands (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 18 Apr 2022

There are great things to be found in little packages, and Islands offers tremendous evidence that, if Edralin might ever be given more than…

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