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Review of Charlotte (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 21 Apr 2022

In the end, Charlotte is bereft of the spirit of the artist who made the uncanny “Life? or Theatre…

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Review of Playground (2022)

By Tara Brady (805) for The Irish Times (483) on 21 Apr 2022

At 72 minutes, Playground falls shy of feature length, yet it atones with a sickening sense of dread and pinpoint emotional accuracy…

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Review of Playground (2022)

By Tara Brady (805) for The Irish Times (483) on 21 Apr 2022

At 72 minutes, Playground falls shy of feature length, yet it atones with a sickening sense of dread and pinpoint emotional accuracy…

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Review of Charlotte (2022)

By William Bibbiani (788) for TheWrap (3,203) on 21 Apr 2022

Charlotte may not take the utmost advantage of its material, but what it dares to tackle, it does so successfully, sadly, and memorably…

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Review of The Unbearable Weight of Massive Talent (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Apr 2022

Cage, so great and unexpectedly subdued in last year's small-scale indie drama Pig, has a ball with his own myth-making, a star contracting…

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Review of Mary Shelley's Frankenstein (1994)

By Voodoo123 (536) on 21 Apr 2022

This remarkably self indulgent piece of theatre is mistakenly cast into millions of dollars worth of celluloid…

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Review of The Hunt (2020)

By Voodoo123 (536) on 21 Apr 2022

Interesting if unoriginal 'battle royale' esque plot that tries to shoehorn action, comedy and satire into one picture…

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Review of The Hunt (2020)

By Voodoo123 (536) on 21 Apr 2022

Interesting if unoriginal 'battle royale' esque plot that tries to shoehorn action, comedy and satire into one picture…

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Review of The Hunt (2020)

By Voodoo123 (536) on 21 Apr 2022

Interesting if unoriginal 'battle royale' esque plot that tries to shoehorn action, comedy and satire into one picture…

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Review of The Northman (2022)

By Jake Coyle (526) for The Associated Press (882) on 21 Apr 2022

The mythic simplicity is part of the point of The Northman, but the movie’s single-minded protagonist and its elemental conflicts verge closer…

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Review of Marvelous and the Black Hole (2022)

By Jessica Kiang (522) for Variety (12,700) on 21 Apr 2022

A set-your-watch-by-it riff on the unlikely-friendship-helps-two-lonely-people formula, this time involving a troubled schoolgirl and a stage…

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Review of The Bad Guys (2022)

By Soren Andersen (496) for The Seattle Times (964) on 21 Apr 2022

The characters are well-defined and Rockwell holds the picture together as he conveys Mr…

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Review of Petite Maman (2021)

By Katie Rife (451) for Polygon (677) on 21 Apr 2022

Petite Maman is the work of an unusually sensitive filmmaker, and it speaks to Sciamma’s skill as a director that she’s able to express…

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Review of The Northman (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 21 Apr 2022

Everything feels strange, savage, implacably other: royalty alongside slavery, formality prized yet pity nowhere to be found…

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Review of Memoria (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 21 Apr 2022

Memoria isn’t a film about explanation. You get caught up in it. You don’t ask why…

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Review of The Bad Guys (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 21 Apr 2022

The Bad Guys takes the cute kid with a fishing pole in the DreamWorks logo and replaces him with a rather raffish-looking wolf who sneaks his…

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Review of Petite Maman (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 21 Apr 2022

Sciamma is able to bring to life essential truths of what it is like to be that strange age and the sometimes frightening, sometimes wonderful…

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Review of We're All Going to the World's Fair (2022)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 21 Apr 2022

Schoenbrun, a native speaker of the language of the internet, has uploaded into the cinematic landscape one of the most thoughtful depictions…

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Review of The Unbearable Weight of Massive Talent (2022)

By Clarisse Loughrey (259) for The Independent (259) on 21 Apr 2022

What really caught me off guard about The Unbearable Weight of Massive Talent is its sweetness…

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Review of Charlotte (2022)

By Alex Saveliev (258) for Film Threat (5,156) on 21 Apr 2022

To elevate, to celebrate, to inspire,” another character states about the function of art…

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