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Review of A Banquet (2022)

By Jluis_001 (2,242) on 22 Apr 2022

The atmosphere is quite unsettling and I liked that. This is psychological horror, with an intimate but not necessarily subtle style…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Tvjerry (1,783) on 22 Apr 2022

It's especially rewarding to see 2 men (Jude Law & Mads Mikkelsen) declare their love for each other in the opening scene…

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Review of The Duke (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 22 Apr 2022

The Duke is not his all-time-best picture, but it’s a very strong one, and it showcases his varied strengths as a filmmaker rather nicely…

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Review of Navalny (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Apr 2022

Even after everything that Alexei Navalny exposed, he’s still behind bars, where it feels he will spend the rest of his life…

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Review of The Unbearable Weight of Massive Talent (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 22 Apr 2022

With the filmmakers almost palpably high-fiving between these takes, it’s no surprise they wind up with a star performance that has to count…

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Review of The Bad Guys (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 22 Apr 2022

At the very least, The Bad Guys encourages kids not to judge a book by its cover—and maybe even read an actual book about these characters…

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Review of Greyhound (2020)

By Broyax (884) on 22 Apr 2022

Durant la Bataille de l’Altantique, l’on suit les diffficultés d’un escorteur-grenadier commandé par un bigot (très bien incarné…

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Review of The Northman (2022)

By Alejandro970 (859) on 22 Apr 2022

The Viking legend that served as the model for Hamlet (not the other way around)…

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Review of Apollo 10½: A Space Age Childhood (2022)

By Alejandro970 (859) on 22 Apr 2022

With an animation style that is related to live action, it is a vintage portrait of a historical moment from a point of view from a child,…

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Review of The Bad Guys (2022)

By Jesse Hassenger (800) for Polygon (677) on 22 Apr 2022

Even when The Bad Guys resembles other movies, it’s stealing from them gracefully, with its own sensibility and energy…

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Review of The Desperate Hour (2022)

By Mauro_Lanari (665) on 22 Apr 2022

(Mauro Lanari) I don't know how the one-man shows shot in real time can be distinguished, from the precursor Nick of Time [Badham 1995] to…

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Review of The Unbearable Weight of Massive Talent (2022)

By Moviemitch96 (552) on 22 Apr 2022

In this meta action comedy, Nicolas Cage stars as a washed up version of himself and finds himself caught up in a covert CIA mission and kidnapping…

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Review of The Northman (2022)

By Moviemitch96 (552) on 22 Apr 2022

From director Robert Eggers ('The VVitch', 'The Lighthouse'), this Nordic epic sees a vengeful viking (Alexander Skarsgard) out to find and…

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Review of The Northman (2022)

By Richard Lawson (539) for Vanity Fair (761) on 22 Apr 2022

Eggers’s action sequences are swift and brutal, filled with the crunch of life extinguished and tossed into the bone pile of time…

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Review of Rocketman (2019)

By Voodoo123 (536) on 22 Apr 2022

This was a really enjoyable musical/drama/biopic. The cast and soundtrack were excellent. The pacing and production value were great throughout…

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Review of The Northman (2022)

By David Sims (534) for The Atlantic (1,046) on 22 Apr 2022

The final act of The Northman is as violent and intense as a story that inspired Hamlet should be, but all the gore and swordplay would leave…

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Review of The Unbearable Weight of Massive Talent (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 22 Apr 2022

It might sound like a gimmick, but it’s as good as any action-comedy you’re likely to see…

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Review of Hit the Road (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 22 Apr 2022

For every laugh the family lets out, for each merry chance encounter they experience—like an oddly hysterical one with a Lance Armstrong-loving…

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Review of Marvelous and the Black Hole (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 22 Apr 2022

That heartfelt element translates into the benevolence of the adults in this film—Perlman is especially big-hearted, no surprise there—not…

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Review of The Unbearable Weight of Massive Talent (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 22 Apr 2022

It's good to have the actor, whose diverse filmography is certainly a memorable one, back in an exciting, eccentric big studio film…

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