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Review of Chip 'n Dale: Rescue Rangers (2022)

By Meloettabros9 (4) on 20 May 2022

It was very well made for a lot of Cameos and hilarious cause I love chip n dale rescue ranger movies, and it makes since 30 years ago, so…

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Review of The Northman (2022)

By Zuultaan (3) on 20 May 2022

The movie was good it's just hard to look at nicole kidman with all facial surgeries and pretend she is from the 10th century or whatever…

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Review of Emergency (2022)

By Alicia Haddick (2) for Little White Lies (3,136) on 20 May 2022

Any flaws the film has in its pacing make it no less of an essential viewing experience, with an air of unpredictability in its final act and…

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Review of Senior Year (2022)

By Blusubu (2) on 20 May 2022

I cannot express how much I hated this movie. There is not ONE redeeming quality from beginning to end…

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Review of Everything Everywhere All at Once (2022)

By Xenonexe2558 (2) on 20 May 2022

I pretty much HATED the first 2 hours and I actually considered walking out. It was hyper-dense , overly expositional and I hated the music…

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Review of Downton Abbey: A New Era (2022)

By Saulutrera (1) on 20 May 2022

Downton Abbey: A New Era (2022, Simon Curtis) is everything we fans of the extraordinary ITV series love…

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Review of Duets (2000)

By Jonahsimon (1) on 20 May 2022

This movie is demented. Kind of a weird premise that could have been silly fun, but for some reason, it's a dark, r-rated slog…

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Review of Everything Everywhere All at Once (2022)

By Drzardoz (1) on 20 May 2022

Rush out and see this movie, it's a highly entertaining film that's got everything…

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Review of Everything Everywhere All at Once (2022)

By Paobel (1) on 20 May 2022

It was a great movie I have not seen a movie that has made me reflect this much can I have related to the point where I sobbed so hard…

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Review of Ten 'til Noon (2007)

By Peter Debruge (1,557) for Variety (12,700) on 19 May 2022

Paul Osborne's script delivers an intriguing structure, though dialogue tastes like something warmed over after 12 years in Quentin Tarantino's…

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Review of On the Count of Three (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 19 May 2022

Neither the subject nor the movie is for everyone…

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Review of Top Gun: Maverick (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 19 May 2022

It’s all in good fun, even if you’re never really surprised by anything, even if your eyes roll with every barrel roll of a plot twist…

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Review of Downton Abbey: A New Era (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 19 May 2022

A New Era offers the kind of comfortable, comforting experience that Downton Abbey aficionados have been awaiting since before the term COVID…

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Review of Armageddon Time (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 19 May 2022

Gray has given us tough, sinewy and memorable New York movies in the past such as The Yards and We Own the Night, but this is weighed down…

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Review of Armageddon Time (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 19 May 2022

The movie ends with a rebel gesture that feels too much like…a gesture…

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Review of Fire in the Mountains (2022)

By A.o. Scott (2,100) for The New York Times (9,847) on 19 May 2022

Its criticisms of patriarchal authority, bureaucratic corruption and superstition in rural India are sharp and unsparing, but its political…

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Review of Top Gun: Maverick (2022)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 19 May 2022

Just when I was about to nod off, Top Gun: Maverick jostled me awake with a fresh approach to the sort of blockbuster entertainment that the…

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Review of Mau (2022)

By Liam Lacey (1,725) for Original-Cin (1,156) on 19 May 2022

The new documentary Mau by the Austrian brother team of Benji and Jono Bergmann offers some insight into what is termed “design thinking,”…

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Review of Cordelia! (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 19 May 2022

Enigmatic and imperfect, but nonetheless absorbing and consistently unsettling, Cordelia offers a haunting visualization of a breaking-apart psyche…

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Review of Cordelia (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 19 May 2022

Enigmatic and imperfect, but nonetheless absorbing and consistently unsettling, Cordelia offers a haunting visualization of a breaking-apart psyche…

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