Browse Movie Reviews - Page 1,758 of 258,691

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Review of The Phantom of the Open (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 16 Jun 2022

The movie is alternately preposterous and predictable, forced in humor and saccharine in emotion, and it’s not exactly steady in striking…

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Review of Good Luck to You, Leo Grande (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 16 Jun 2022

Thompson is truly better than ever and brings to life a complex and evolving person with humor, grace and a sharp edge…

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Review of Contact (1997)

By Gracjanski (417) on 16 Jun 2022

Surely a great movie…

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Review of Brian and Charles (2022)

By Odie Henderson (402) for Boston Globe (6,852) on 16 Jun 2022

The decidedly lo-fi robot elements give the proceedings a bit of charm, as does the North Wales location, but they are not enough to save this…

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Review of Alone Together (2022)

By Martin Tsai (390) for TheWrap (3,203) on 16 Jun 2022

Alone Together frequently hints at Holmes’ gifts as a storyteller, so it’s disappointing that she has a proclivity for romance-novel fodder…

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Review of Alone Together (2022)

By Martin Tsai (390) for TheWrap (3,203) on 16 Jun 2022

Alone Together frequently hints at Holmes’ gifts as a storyteller, so it’s disappointing that she has a proclivity for romance-novel fodder…

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Review of Spiderhead (2022)

By Michael Ordona (350) for Los Angeles Times (12,977) on 16 Jun 2022

An intelligent, sometimes moving, sometimes funny sci-fi examination of emotional autonomy amid futuristic pharmaceuticals, until an awkward…

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Review of Neptune Frost (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 16 Jun 2022

The movie is at its best when it’s twining together the stories of characters whose fate seems to be pulling them toward possibilities that…

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Review of Elvis (2022)

By Jake Cole (292) for Slant Magazine (8,298) on 16 Jun 2022

The protracted rubbernecking at Elvis’s inexorable decline epitomizes a film that regularly backs away from its keenest observations about…

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Review of Good Luck to You, Leo Grande (2022)

By Clarisse Loughrey (259) for The Independent (259) on 16 Jun 2022

Empowerment is only one piece of the puzzle, which together forms a refreshingly nuanced portrait of sex work, desire and self-perception…

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Review of Lightyear (2022)

By Clarisse Loughrey (259) for The Independent (259) on 16 Jun 2022

Nostalgia rarely factors into Lightyear, which makes the franchise connection feel almost like a bit of window dressing slapped on to an entirely…

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Review of Cha Cha Real Smooth (2022)

By Jocelyn Noveck (253) for The Associated Press (882) on 16 Jun 2022

Raiff’s writing and direction keep the action moving crisply, and he knows his world — set not in Dallas but in Livingston, New Jersey…

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Review of Good Luck to You, Leo Grande (2022)

By Mark Keizer (225) for The A.V. Club (5,644) on 16 Jun 2022

It’s a sexually frank and intimate story told in a pleasingly mainstream manner that avoids greeting card clichés and empty “girl power”…

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Review of Indiana Jones and the Temple of Doom (1984)

By Liamexe (198) on 16 Jun 2022

An outstanding film, though not quite up to the standards of the first and third sections…

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Review of Lightyear (2022)

By Karen Gordon (174) for Original-Cin (1,156) on 16 Jun 2022

True to Pixar’s magic storytelling, Lightyear offers a much deeper and more complex set of ideas for adult viewers on that very theme, without…

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Review of Brian and Charles (2022)

By Kim Hughes (164) for Original-Cin (1,156) on 16 Jun 2022

If themes about the importance of friendship, hope, and love land a bit on the nose, there’s no denying Brian and Charles takes an innovative…

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Review of Lightyear (2022)

By Matthew Monagle (156) for Austin Chronicle (7,653) on 16 Jun 2022

Whatever magic Lightyear musters onscreen is undermined by the unfulfilled potential of the narrative…

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Review of Jerry & Marge Go Large (2022)

By Natalia Winkelman (145) for The New York Times (9,847) on 16 Jun 2022

While the movie sustains levity, its lack of subtlety — and a lack of stakes, save for sweepstakes — make for an altogether bland bonanza…

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Review of My Fake Boyfriend (2022)

By Lena Wilson (121) for The New York Times (9,847) on 16 Jun 2022

To set expectations, it’s best to think of My Fake Boyfriend as two movies…

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Review of The Sea Beast (2022)

By Rafael Motamayor (108) for Slashfilm (971) on 16 Jun 2022

The result is a movie that's as fun as it has things to say, a true animated blockbuster that could play like gangbusters in multiplexes (if…

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