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Review of The Sea Beast (2022)

By Peter Debruge (1,557) for Variety (12,700) on 16 Jun 2022

In the end, The Sea Beast is a movie about challenging conventional wisdom and figuring things out for yourself, and that’s a philosophy…

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Review of Mad God (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 16 Jun 2022

Strange and squelchy and all kinds of sick, Mad God comes at you with nauseating energy, its flood of dystopian images both playful and repulsive…

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Review of Good Luck to You, Leo Grande (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 16 Jun 2022

Hyde stages it all with an unfussy elegance that serves the material, and any lingering creakiness is dispelled by Thompson and McCormack,…

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Review of Brian and Charles (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 16 Jun 2022

Even as the low-key mockumentary Brian and Charles impressively scales down a sci-fi concept to fable size, it neither does much to maintain…

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Review of The Lost Girls (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 16 Jun 2022

The Lost Girls gets stuck somewhere in the middle of magical realism and a gritty psychological exploration of what it means to believe in…

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Review of Brian and Charles (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Jun 2022

It’s a shame that Brian and Charles plays things safe, as Archer’s naturally irreverent debut only becomes easier to invest in during its…

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Review of Jerry & Marge Go Large (2022)

By Brent Simon (1,142) for The A.V. Club (5,644) on 16 Jun 2022

These veteran performers make these two characters likable and, more importantly, fully knowable, and through them Jerry & Marge Go Large fully…

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Review of Spiderhead (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 16 Jun 2022

Here is a place, then, where everyone does as they’re told, and beneath its placid surfaces, its lush setting and clean spaces, lies a deep…

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Review of Brian and Charles (2022)

By Amy Nicholson (961) for The New York Times (9,847) on 16 Jun 2022

Too soon, however, this intriguing psychological study turns into a programmatic geeks-vs-bullies story that relies on pushing the easiest…

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Review of Spiderhead (2022)

By Ben Kenigsberg (863) for The New York Times (9,847) on 16 Jun 2022

Kosinski can’t make the inane philosophizing about free will sound profound or new, and the hectic, hasty finale, lacking the nerve or chilly…

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Review of Lightyear (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 16 Jun 2022

While the movie feels empty and pointless overall, it’s not without its scattered interesting elements…

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Review of Memory (2022)

By Mauro_Lanari (665) on 16 Jun 2022

(Mauro Lanari) How to allude continuously to Memento and not make a remake of it…

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Review of Memory (2022)

By Mauro_Lanari (665) on 16 Jun 2022

(Mauro Lanari) How to allude continuously to Memento and not make a remake of it…

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Review of Memory (2022)

By Mauro_Lanari (665) on 16 Jun 2022

(Mauro Lanari) How to allude continuously to Memento and not make a remake of it…

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Review of Brian and Charles (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 16 Jun 2022

In its funny, implausible, and heartwarming depiction of a ramshackle platonic friendship between two oddballs, Brian and Charles creates a…

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Review of Cha Cha Real Smooth (2022)

By Jessica Kiang (522) for Los Angeles Times (12,977) on 16 Jun 2022

As the movie dances right up to the conventions of this well-worn genre, then deftly slides (To the left! To the right…

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Review of Bitterbrush (2022)

By Nicolas Rapold (488) for The New York Times (9,847) on 16 Jun 2022

In following two young women employed as range riders in Idaho, the film presents its own modern-day picture of hard work and camaraderie…

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Review of Lightyear (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 16 Jun 2022

The movie is one of the better pieces of family entertainment released so far this year…

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Review of Father of the Bride (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 16 Jun 2022

There’s nothing particularly remarkable about Father of the Bride 2022 (was there ever really going to be…

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Review of Cha Cha Real Smooth (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 16 Jun 2022

All the actors are very good, though Raiff, who’s in almost every scene, can get a little wearying with his combination of high energy and…

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