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Review of Lightyear (2022)

By Tvjerry (1,783) on 28 Jun 2022

Right up front, this movie states that the action figure of Buzz Lightyear owned by Andy in the Toy Story movies was inspired by this adventure…

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Review of Doula (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jun 2022

The running time is too long, and the finale’s screaming too prolonged; but, unlike childbirth, this good-natured movie delivers a dry, funny…

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Review of Unidentified (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 28 Jun 2022

It’s a grimly efficient character study of a flawed and damaged man who is intent on visiting harm to those he perceives as wrongdoers, and…

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Review of Endangered (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 28 Jun 2022

Endangered is unlikely to change the minds of anti-press zealots (not that they'd even be watching it in the first place) but others will hopefully…

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Review of Endangered (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 28 Jun 2022

Endangered is unlikely to change the minds of anti-press zealots (not that they'd even be watching it in the first place) but others will hopefully…

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Review of Elvis (2022)

By Compi24 (1,147) on 28 Jun 2022

In terms of Baz Luhrmann films, this is far and away my favorite. What exactly that means, I'm still unsure, but it's definitely something…

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Review of Love & Gelato (2022)

By Brent Simon (1,142) for The A.V. Club (5,644) on 28 Jun 2022

Love & Gelato is basically the professional equivalent of a work-study program, the type of movie which affords young actors the opportunity…

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Review of Elvis (2022)

By Richard Brody (868) for The New Yorker (1,837) on 28 Jun 2022

Elvis is a gaudily decorated Wikipedia article that owes little to its sense of style; it’s a film of substance, but of bare substance, a…

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Review of Endangered (2022)

By Ben Kenigsberg (863) for The New York Times (9,847) on 28 Jun 2022

Covered in isolation, any of these interview subjects, or any of the problems facing journalists raised — online harassment, police intimidation,…

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Review of Endangered (2022)

By Ben Kenigsberg (863) for The New York Times (9,847) on 28 Jun 2022

Covered in isolation, any of these interview subjects, or any of the problems facing journalists raised — online harassment, police intimidation,…

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Review of Don't Make Me Go (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 28 Jun 2022

Even some of its rawest emotional moments feel studiously cribbed from other movies, which is probably why not a single thing any character…

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Review of Marcel the Shell with Shoes On (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 28 Jun 2022

There is real emotion and purpose pumped into the tiny picture – it has a heart as big as its title character is small…

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Review of Major (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 28 Jun 2022

The producers have clearly paid up for the extras, sets and visual effects making this a lavish work, never dull for a second of its ample…

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Review of Clean (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 28 Jun 2022

Apart from the occasional bit of voiceover from Clean, our hero barely says much at all, leaving it to Brody to do a lot of acting with those…

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Review of Clean (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 28 Jun 2022

Apart from the occasional bit of voiceover from Clean, our hero barely says much at all, leaving it to Brody to do a lot of acting with those…

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Review of The Man from Toronto (2022)

By Mauro_Lanari (665) on 28 Jun 2022

(Mauro Lanari) Kevin Hart is often used in buddy movies even if his hysterical humor is not fun at all, and so Netflix flops once again…

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Review of The Bridge on the River Kwai (1957)

By Voodoo123 (536) on 28 Jun 2022

Some arresting location shots take centre stage in this pow movie that appears to somewhat explore the will of the human spirit to endure and…

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Review of Marcel the Shell with Shoes On (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 28 Jun 2022

So “Marcel” is sweet, it’s charming, it’s clever…

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Review of The Forgiven (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 28 Jun 2022

The Forgiven wants to have things both ways…

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Review of Mad God (2021)

By Bertobellamy (400) on 28 Jun 2022

Mad God' is a bizarre experiment that takes you to a world full of all the ¿human? fluids you could ever imagine…

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