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Review of Thor: Love and Thunder (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 05 Jul 2022

As this latest gets under way, Thor has recovered his enviable god-bod but still has little sense of purpose…

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Review of The Forgiven (2022)

By Rex Reed (1,506) for Observer (1,042) on 05 Jul 2022

The Forgiven is not a journey every viewer will want to make, but it’s a rewarding experience to watch Ralph Fiennes play the emotional subtexts…

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Review of Thor: Love and Thunder (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 05 Jul 2022

Love And Thunder doesn’t always gracefully execute its balance of light and dark but when the film focuses on the unshakeable bond between…

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Review of Thor: Love and Thunder (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 05 Jul 2022

If this latest one was aiming to mix it up by giving equal weight to the masks of comedy and tragedy, it’s an effort that falls short…

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Review of Thor: Love and Thunder (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Jul 2022

If Love and Thunder is more of the same, it’s also never less than that…

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Review of Minions: The Rise of Gru (2022)

By Compi24 (1,147) on 05 Jul 2022

Sitting here wishing I was either born in a more recent generation or that my sense of humor was more attuned to this kind of thing…

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Review of Code Name Banshee (2022)

By Brent Simon (1,142) for The A.V. Club (5,644) on 05 Jul 2022

In the end, Code Name Banshee doesn’t have interesting ideas about who its characters are, or even wish to be…

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Review of Thor: Love and Thunder (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 05 Jul 2022

A strange, strange film. Often in a good way. Sometimes not…

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Review of Both Sides of the Blade (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 05 Jul 2022

This movie is not particularly good. One seizes upon highlights from the sideline when what’s happening front and center is just so dull…

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Review of Thor: Love and Thunder (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 05 Jul 2022

Dipping less rewardingly from the same well in Thor: Love and Thunder, Waititi pushes the wisecracking to tiresome extremes, snuffing out any…

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Review of Thor: Love and Thunder (2022)

By Brian Lowry (913) for CNN (497) on 05 Jul 2022

The impressive mix of tones and styles that director Taika Waititi pulled off in “Thor: Ragnarok” largely fizzles in “Thor: Love and…

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Review of Thor: Love and Thunder (2022)

By David Fear (910) for Rolling Stone (4,035) on 05 Jul 2022

For something so reliant on dramatic engagement in addition to spectacle and giggles, Love and Thunder feels oddly unengaging; even the love…

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Review of Fourth of July (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 05 Jul 2022

Fourth of July is meant to be a comedy, but isn’t in the sense that there is nothing funny enough to laugh at…

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Review of The Forgiven (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 05 Jul 2022

It’s telling that The Forgiven has the shape of a long, dark night of the soul, while actually taking place over several days…

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Review of Thor: Love and Thunder (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 05 Jul 2022

Ultimately, Thor: Love and Thunder will leave you feeling sad, empty, deadened…

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Review of Thor: Love and Thunder (2022)

By Todd Gilchrist (762) for The A.V. Club (5,644) on 05 Jul 2022

Even with Ragnarok looming large in this film’s rearview mirror, Waititi’s work here marks an important and exciting untethering of MCU…

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Review of Blue Bayou (2021)

By Brent_Marchant (762) on 05 Jul 2022

When a loophole in an official policy results in an inherently unfair practice, attention must be placed on it to make the public aware of…

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Review of Navalny (2022)

By Brent_Marchant (762) on 05 Jul 2022

Uncovering evidence of scandalous political corruption can be quite a feat…

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Review of This Much I Know to Be True (2022)

By Chuck Bowen (756) for Slant Magazine (8,298) on 05 Jul 2022

The accumulating effect of this airy and resonant film’s formal devices is that of a heartbroken artist learning to reengage with society…

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Review of Thor: Love and Thunder (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Jul 2022

Even in Valhalla or Paradise City, though, there is still love and loss; Thor dutifully delivers both, and catharsis in a climax that inevitably…

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