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Review of The Gray Man (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 14 Jul 2022

While the movie itself may prove nearly as unmemorable as its hero ostensibly wants to be, it’s anything but inconspicuous…

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Review of Mrs. Harris Goes to Paris (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 14 Jul 2022

The story is fantastical, predictable and utterly delightful, allowing the audience to engage in familiar generic pleasures that have been…

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Review of The Gray Man (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Jul 2022

The algorithmic results don’t reflect well on the Russo brothers’ directing chops — their monumental spandex operas seldom required and…

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Review of She Will (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 14 Jul 2022

It’s the film’s mercurial nature, its hazy dreamlike logic, that makes it so extraordinary…

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Review of Don't Make Me Go (2022)

By Amy Nicholson (961) for The New York Times (9,847) on 14 Jul 2022

Cho and Isaac’s stellar performances expose the gulf between familiarity and intimacy…

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Review of The Gray Man (2022)

By David Fear (910) for Rolling Stone (4,035) on 14 Jul 2022

The Gray Man wants to remind you of what an old-school dopamine dump these types of entertainments are, and it has what seems to be the necessary…

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Review of The Gray Man (2022)

By Chris Barsanti (896) for Slant Magazine (8,298) on 14 Jul 2022

The Gray Man is a noisy, flashy spectacle that piles clichés atop ludicrous plotting and sprinkles it all with half-funny quips, all in the…

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Review of The Gray Man (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 14 Jul 2022

It moves, it’s entertaining, Ryan Gosling is as buff as he’s ever been and all-in as an action star…

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Review of Queen of Glory (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 14 Jul 2022

The child of Ghanaian parents herself, Mensah traverses the polyglot turf well, infusing details with astute affection and understated laughs…

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Review of The Sea Beast (2022)

By Jesse Hassenger (800) for Polygon (677) on 14 Jul 2022

Like The Prince of Egypt or Sinbad: Legend of the Seven Seas before it, The Sea Beast ditches talking animals and funny sidekicks, but it can’t…

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Review of The Gray Man (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 14 Jul 2022

This is flat, flaccid action that makes the wan green-screenery of the MCU look like the delirious highs of Mad Max: Fury Road…

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Review of The Gray Man (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Jul 2022

A maximalist action thriller that is almost comically violent, unfailingly glib, and intermittently very fun…

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Review of The Gray Man (2022)

By Simon Abrams (730) for TheWrap (3,203) on 14 Jul 2022

Each gun- or fist-fight features a few cool individual images, but these standalone elements never exceed the Russos’ blurry presentation…

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Review of The Deer King (2021)

By Simon Abrams (730) for TheWrap (3,203) on 14 Jul 2022

Unfortunately, The Deer King fatally (and repeatedly) stalls as its plot starts winding down and its creators lunge for a character-driven…

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Review of She Will (2022)

By Kate Erbland (681) for IndieWire (3,631) on 14 Jul 2022

Krige is magical enough in a complex role (and relative newcomer Eberhardt makes for a wonderful foil), but she can only pull the film along…

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Review of The Gray Man (2022)

By Brian Truitt (541) for USA Today (4,117) on 14 Jul 2022

If nothing else, though, the stylish and slick thriller brings sass to the secret-agent genre, and there are worse things than watching an…

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Review of Mrs. Harris Goes to Paris (2022)

By Jake Coyle (526) for The Associated Press (882) on 14 Jul 2022

Anthony Fabian’s charming adaptation, snuggly tailored to star Lesley Manville, proves the durability of a good fairy tale and a smashing dress…

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Review of McEnroe (2022)

By Ian Freer (515) for Empire (3,446) on 14 Jul 2022

The talking heads aren’t particularly revealing and there are some strange filmmaking choices…

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Review of Mrs. Harris Goes to Paris (2022)

By Steve Davis (486) for Austin Chronicle (7,653) on 14 Jul 2022

Though the movie delivers its chuckles and elicits its sighs in a calibrated narrative arc that softens the hard edges of its late bloomer’s…

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Review of Where the Crawdads Sing (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 14 Jul 2022

Providing a hint of redemption is Edgar-Jones, a naturally vulnerable actress who can turn the shallowest of material into something deep…

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