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Review of Résurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

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Review of Resurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

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Review of A Love Song (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 28 Jul 2022

A Love Song has the narrative economy and the sneaky emotional power of a well-crafted short story, plus a feel for isolation and rootlessness…

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Review of Purple Hearts (2022)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 28 Jul 2022

Purple Hearts would be a lot more interesting if it interrogated the specific moments of weakness that attract Cassie to Luke, but that’s…

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Review of Thirteen Lives (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 28 Jul 2022

Thirteen Lives may be a vivid rescue procedural first and foremost, but it’s also a testament to the guardian spirit possible in any of us…

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Review of DC League of Super-Pets (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 28 Jul 2022

While the plot following Krypto finding his pack and saving the day is exceedingly formulaic and slightly tiresome with its predictable turns,…

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Review of DC League of Super-Pets (2022)

By Brian Lowry (913) for CNN (497) on 28 Jul 2022

Who's a good movie…

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Review of A Love Song (2022)

By David Fear (910) for Rolling Stone (4,035) on 28 Jul 2022

There’s a genuine sense of admiration for these two middle-aged characters emanating from behind the camera, and you get the feeling that…

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Review of Blue Island (2022)

By Ben Kenigsberg (863) for The New York Times (9,847) on 28 Jul 2022

The past-present parallelism is provocative, but it also seems faintly superficial — a way of eliding distinctions and streamlining history…

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Review of Girl Picture (2022)

By Amber Wilkinson (674) for Screen Daily (1,021) on 28 Jul 2022

The winning performances and Haapasalo’s careful attention to them help to compensate for the sometimes frustratingly fragmented nature of…

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Review of The Devil All the Time (2020)

By Voodoo123 (536) on 28 Jul 2022

Chrostophobic themed drama has an impressive ensemble cast delivering memorable performances across a series of interconnected short stories…

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Review of Hansan: Rising Dragon (2022)

By Nicolas Rapold (488) for The New York Times (9,847) on 28 Jul 2022

The film’s dramas are ornately costumed but often stilted and lacking the verve of the battle staging…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

Read Review

Review of Résurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

Read Review

Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

Read Review

Review of Medusa (2021)

By Katie Rife (451) for IndieWire (3,631) on 28 Jul 2022

Da Silviera’s vision of bubblegum fascism is compelling, and Medusa sucks viewers in right away…

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Review of Medusa (2022)

By Katie Rife (451) for IndieWire (3,631) on 28 Jul 2022

Da Silviera’s vision of bubblegum fascism is compelling, and Medusa sucks viewers in right away…

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Review of Medusa (2022)

By Katie Rife (451) for IndieWire (3,631) on 28 Jul 2022

Da Silviera’s vision of bubblegum fascism is compelling, and Medusa sucks viewers in right away…

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