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Review of Lightyear (2022)

By Unaccurate (1) on 29 Jul 2022

Garbage. Man, I really miss old Disney. It's pretty sad to see what the company is becoming…

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Review of Hypnotic (2021)

By Thzironboy (1) on 29 Jul 2022

Achei muito interessante, apesar do final ser muito apressado, queria saber mais sobre o doutor pisicopata e sobre o policial, porém o filme…

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Review of The Black Phone (2022)

By Vehliks (1) on 29 Jul 2022

Trash movie Trash movie Trash movie Trash movie Trash movie Trash movie Trash movie Trash movie Trash movie Trash movie Trash movie Trash movie…

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Review of RRR (2022)

By Priye55 (1) on 29 Jul 2022

The best movie of all time.Both the actors where phenomenal.Ss rajamouli once again get's it right with this action packed extragavanza…

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Review of Not Okay (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 28 Jul 2022

It might be fair to argue that Shephard overreaches with Not Okay, but there’s something bracing and fresh about throwing caution to the…

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Review of Thirteen Lives (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 28 Jul 2022

Thirteen Lives deserves to be seen. The only question is whether audiences will be up for it…

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Review of Not Okay (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 28 Jul 2022

Not Okay isn’t exactly a swing and a miss. But it doesn’t quite connect in solid fashion…

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Review of Thirteen Lives (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 28 Jul 2022

Ron Howard’s claustrophobically intense and captivating “Thirteen Lives” is one of those movies where you find yourself marveling at…

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Review of Resurrection (2022)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 28 Jul 2022

Rebecca Hall makes Maggie’s past and present states scarifyingly real…

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Review of Resurrection (2022)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 28 Jul 2022

Rebecca Hall makes Maggie’s past and present states scarifyingly real…

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Review of Resurrection (2022)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 28 Jul 2022

Rebecca Hall makes Maggie’s past and present states scarifyingly real…

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Review of Résurrection (2022)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 28 Jul 2022

Rebecca Hall makes Maggie’s past and present states scarifyingly real…

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Review of Resurrection (2022)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 28 Jul 2022

Rebecca Hall makes Maggie’s past and present states scarifyingly real…

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Review of Nope (2022)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 28 Jul 2022

If you gave Jordan Peele a list of random cultural ingredients—some songs, a few television shows, a film genre or two, a variety of actors—chances…

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Review of Honor Society (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 28 Jul 2022

A twist whipsaws the movie into a darker place, one in the vicinity of Patricia Highsmith…

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Review of Thirteen Lives (2022)

By Peter Debruge (1,557) for Variety (12,700) on 28 Jul 2022

The movie works, but there has to be a more original way in to the Thai cave rescue story, other than through the main entrance, high-fiving…

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Review of A Love Song (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

Slow, sweet and subdued, A Love Song, Max Walker-Silverman’s lovely first feature, is about late-life longing and needs that never completely…

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Review of Resurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

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Review of Resurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

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Review of Resurrection (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Jul 2022

While Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels…

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