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Review of Bullet Train (2022)

By Todd Gilchrist (762) for The A.V. Club (5,644) on 02 Aug 2022

Leitch’s talky, violent hit man movie, with Brad Pitt at the center of an over-cranked ensemble cast, reminds us why Hollywood has all but…

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Review of Bullet Train (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Aug 2022

Leitch embarks on a series of adrenalized set pieces that defy logic and physics so breezily that its relentless, ridiculous violence plays…

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Review of Not Okay (2022)

By Mauro_Lanari (665) on 02 Aug 2022

(Mauro Lanari) Why insist on treating the problems of online life only from the Zillennials point of view when now all the important people…

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Review of Minions: The Rise of Gru (2022)

By Panchogul (602) on 02 Aug 2022

Si esta película fuera de Disney la llenarían de elogios, pero como no es así la califican de manera mediocre, en lo personal se me hizo…

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Review of Bullet Train (2022)

By Brian Truitt (541) for USA Today (4,117) on 02 Aug 2022

Given its premise and title, you’d expect a zippy movie with some momentum, yet too many flashbacks and a surprising amount of chattiness…

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Review of Not Okay (2022)

By Richard Lawson (539) for Vanity Fair (761) on 02 Aug 2022

Had the movie pitched itself on a one-way trip into the black, Deutch would no doubt have been up to the task…

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Review of Bodies Bodies Bodies (2022)

By Richard Lawson (539) for Vanity Fair (761) on 02 Aug 2022

As this process unfolds, Reijn and DeLappe manage some moments of shivery suspense…

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Review of Bullet Train (2022)

By Jake Coyle (526) for The Associated Press (882) on 02 Aug 2022

It’s no train wreck. Leitch’s film is colorful, cartoonish and well-choreographed…

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Review of Thirteen Lives (2022)

By Alissa Wilkinson (499) for Vox (725) on 02 Aug 2022

By the end of the story, the film’s aims are clear: to show what an absolute miracle the rescue was, and to honor the extraordinary cooperation…

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Review of Bodies Bodies Bodies (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 02 Aug 2022

Whodunnits require so many moving parts to be expertly placed and played with, and, ultimately, the script isn’t as sleek as it needs to…

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Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

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Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

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Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

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Review of Résurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

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Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

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Review of Bullet Train (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 02 Aug 2022

Pitt’s presence makes a borderline-odious piece of work watchable…

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Review of Wheel of Fortune and Fantasy (2021)

By Bertobellamy (400) on 02 Aug 2022

Ryusuke Hamaguchi sure knows how to film a conversation. I can't believe this man released two excellent movies in the same year…

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Review of The Unbearable Weight of Massive Talent (2022)

By Royalguy07 (396) on 02 Aug 2022

Thought this was real fun. Guess I just have no choice but to watch Paddington 2…

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Review of Bullet Train (2022)

By Ben Kendrick (300) for Screen Rant (892) on 02 Aug 2022

Ultimately, Bullet Train is one of the most entertaining and flashy films of 2022, thanks to lively performances, incredible fight setups,…

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Review of Bullet Train (2022)

By Clint Worthington (295) for Consequence (296) on 02 Aug 2022

There’s a universe where Bullet Train works — lean harder into the gaudy, neon-pop anime aesthetic, ditch the too-clever character work,…

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