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Review of Maneater! (2022)

By Matt Donato (975) for IGN (1,013) on 24 Aug 2022

Maneater proves that shark horror flicks need to be more than just a finned predator in any form and dead bodies — execution matters, especially…

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Review of Funny Pages (2022)

By Richard Brody (868) for The New Yorker (1,837) on 24 Aug 2022

Whatever sense of obsession drives Robert’s art and whatever emotional freedom inspires Miles’s, neither is found in the cinematic aesthetic…

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Review of Katrina Babies (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 24 Aug 2022

Katrina Babies is deeply personal and thoughtfully political…

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Review of Breaking (2022)

By Jake Coyle (526) for The Associated Press (882) on 24 Aug 2022

Breaking, Abi Damaris Corbin’s lean and heartfelt first feature, is a lackluster bank-robbery thriller with noble intentions enlivened by…

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Review of Breaking (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 24 Aug 2022

Breaking is a noble and deeply sensitive effort that aims to commemorate an honorable veteran who was failed by the dysfunctional and racist…

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Review of Three Thousand Years of Longing (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 24 Aug 2022

Even if it ultimately doesn’t quite take off, it’s a marvel of craft and care and detail. It’s also not quite like anything else…

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Review of Rocky III (1982)

By Royalguy07 (396) on 24 Aug 2022

More Creed meant a better movie than the first 2. Honestly maybe the coolest man/character ever…

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Review of Rocky II (1979)

By Royalguy07 (396) on 24 Aug 2022

This was such a rehash and nearly beat for beat remake of Rocky I that it was little unsatisfying, even with an improved training montage and…

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Review of Bodies Bodies Bodies (2022)

By Ginak (385) on 24 Aug 2022

I am shocked at the low ratings this film has gotten. It is a fun satire and a great way to spend a hot summer afternoon…

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Review of Breaking (2022)

By Michael Ordona (350) for Los Angeles Times (12,977) on 24 Aug 2022

Brown-Easley’s story is interesting and the film’s acting is committed. Unfortunately, as a cinematic experience, Breaking fails to compel…

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Review of Orphan: First Kill (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 24 Aug 2022

It’s funny to think of this new chapter, with all its mean twists and its tense character convolution, as a prelude to the story we already…

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Review of Tron (1982)

By Drlowdon (322) on 24 Aug 2022

Having had his work stolen, computer programmer Kevin Flynn attempts to hack into his former employers system to expose the executive responsible…

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Review of Chaos Walking (2021)

By Liamexe (198) on 24 Aug 2022

Tom Holland and Daisy Ridley were the movie's attraction for me, thus I was drawn in…

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Review of Top Gun: Maverick (2022)

By Liamexe (198) on 24 Aug 2022

This is what you want from your entertainment—funny material to watch, without any BS or forced politics…

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Review of Three Thousand Years of Longing (2022)

By Karen Gordon (174) for Original-Cin (1,156) on 24 Aug 2022

Director George Miller’s Three Thousand Years of Longing, with its superb A-list cast led by Tilda Swinton and Idris Elba, plays quite nicely…

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Review of Maneater (2022)

By Matthew Monagle (156) for Austin Chronicle (7,653) on 24 Aug 2022

Even as a guilty pleasure, Maneater is a particularly rough watch…

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Review of Maneater! (2022)

By Matthew Monagle (156) for Austin Chronicle (7,653) on 24 Aug 2022

Even as a guilty pleasure, Maneater is a particularly rough watch…

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Review of Katrina Babies (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 24 Aug 2022

Katrina Babies is an assertion of presence, a proclamation that the devastating hurricane is not simply a past story, but a present one too…

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Review of Funny Pages (2022)

By Vikram Murthi (112) for IndieWire (3,631) on 24 Aug 2022

Ideas might be recycled in “Funny Pages,” but they’re converted into something distinct…

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Review of Akilla's Escape (2021)

By Phil Hoad (110) for The Guardian (2,969) on 24 Aug 2022

This tale of freelance underworld fixer Akilla Brown, played with careworn wisdom by Saul Williams, doesn’t live up to its sharp tailoring…

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