Review of Funny Pages (2022) by Richard Brody for The New Yorker — 24 Aug 2022
Whatever sense of obsession drives Robert’s art and whatever emotional freedom inspires Miles’s, neither is found in the cinematic aesthetic of “Funny Pages”; the movie is merely a conventional vessel for Kline’s ardent ideas, which pass through the cinema without leaving a trace.
You can read the full review where it was originally posted online.
This review of Funny Pages (2022) was written by Richard Brody and published by The New Yorker on 24 Aug 2022.
Funny Pages has generally received positive reviews.
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