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Review of TÁR (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 04 Sep 2022

Because each moment serves at least two purposes — Tár is both a superb character study and a highly persuasive piece of world building…

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Review of Empire of Light (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 04 Sep 2022

While Colman peels back Hilary’s layers of grief and rage with all the ferocity and subtlety you’d expect from an actor of her caliber,…

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Review of Wildhood (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 04 Sep 2022

It’s striking, certainly, but teasingly elusive when it comes to story resolution…

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Review of A Couple (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 04 Sep 2022

Performance aside, the key issue is that endless griping about a shitty marriage – even the marriage of arguably the pre-eminent figure of…

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Review of The Whale (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 04 Sep 2022

The film sets out to repulse us, and it frequently succeeds. It would be easy, and tempting, to dismiss it out of hand…

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Review of The Whale (2022)

By Geoffrey Macnab (1,253) for The Independent (259) on 04 Sep 2022

The pathos is laid on very thick…

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Review of Aftersun (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Sep 2022

A stunning debut that develops with the gradual poignancy of a Polaroid, Charlotte Wells’ Aftersun isn’t just an honest movie about the…

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Review of Aftersun (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Sep 2022

A stunning debut that develops with the gradual poignancy of a Polaroid, Charlotte Wells’ Aftersun isn’t just an honest movie about the…

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Review of Empire of Light (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Sep 2022

It’s wonderful that Mendes spent the pandemic making a movie about the irreplaceable vitality of movie theaters — even going so far as…

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Review of Destination Wedding (2018)

By Dawdlingpoet (1,123) on 04 Sep 2022

As an unsentimental romantic drama film, I enjoyed this, probably more than I may initially have thought I might…

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Review of The Age of Adaline (2015)

By Dawdlingpoet (1,123) on 04 Sep 2022

This is a decidedly cheesy, sentimental film, however I quite enjoyed it for the performances and the main plot concept is relatively intriguing…

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Review of Swan Song (2021)

By Dawdlingpoet (1,123) on 04 Sep 2022

This film has a Jordan Peele/Black Mirror feel to it…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 04 Sep 2022

Iñárritu has a flair for the cinematic, for bold and striking images, but he is not an experimental filmmaker…

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Review of The Forgiven (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 04 Sep 2022

Lorne Balfe’s sparsely used music leaves plenty of open spaces for the drama to breathe, as if inviting the audience to fill in the blanks…

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Review of Empire of Light (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 04 Sep 2022

Nothing in the film has a fraction of the dramatic impact of the emotional roller-coaster Colman’s performance embodies…

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Review of The Whale (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 04 Sep 2022

The intense chamber drama never disguises its stage roots but transcends them with the grace and compassion of the writing and the layers of…

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Review of A Couple (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 04 Sep 2022

The result is an expressive and moving portrait of a tempestuous marriage, one told with elan that feels rich in feeling even if its entire…

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Review of Argentina 1985 (2022)

By Guy Lodge (731) for Variety (12,700) on 04 Sep 2022

That Argentina, 1985 managed to toggle between such emotionally raw material and more amped-up, tension-driven subplots — as Strassera and…

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Review of A Couple (2022)

By Guy Lodge (731) for Variety (12,700) on 04 Sep 2022

The final film is elegant and empathetic, but never quite emotionally involving: For all its rich, heightened articulation of a woman’s distress…

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Review of Lady Chatterley's Lover (2022)

By Kate Erbland (681) for IndieWire (3,631) on 04 Sep 2022

Despite the stars’ strong performances and the high level of craft, the film struggles in its final act…

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