Review of The Forgiven (2022) by Mark Kermode for The Observer (UK) — 04 Sep 2022
Lorne Balfe’s sparsely used music leaves plenty of open spaces for the drama to breathe, as if inviting the audience to fill in the blanks with an internal accompaniment (tragic? Comedic? Ironic?) of their own choosing.
You can read the full review where it was originally posted online.
This review of The Forgiven (2022) was written by Mark Kermode and published by The Observer (UK) on 04 Sep 2022.
The Forgiven has generally received mixed reviews.
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