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Review of The Banshees of Inisherin (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 05 Sep 2022

This is an often shoulder-shudderingly funny film, whose comic dialogue is dazzlingly designed and performed…

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Review of Don't Worry Darling (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 05 Sep 2022

Don’t Worry Darling, for all its sinister undercurrents and feints at subversion, turns out to be a disappointingly heavy thud of a movie…

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Review of Don't Worry Darling (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 05 Sep 2022

Crafted with style, and led by Florence Pugh’s redoubtable performance as a picture-perfect housewife who learns a horrifying truth, this…

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Review of The Banshees of Inisherin (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Sep 2022

This isn’t a film that strives for big laughs — McDonagh seems more interested in putting you in a particular frame of mind, even when…

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Review of Medieval (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 05 Sep 2022

Medieval succeeds as a lively, handsome chunk of history (however freely imagined), with nary a dull moment between densely-packed intrigues,…

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Review of Don't Worry Darling (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 05 Sep 2022

The film is smooth, competent, (mostly) well-acted, and merely tedious…

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Review of The Whale (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 05 Sep 2022

Once everything finally collides in The Whale, something shattering and beautiful and honest emerges…

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Review of Argentina 1985 (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 05 Sep 2022

The balance between detail and momentum can at times be off, and the helmer doesn’t entirely avoid generic tropes of the legal drama…

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Review of Don't Worry Darling (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 05 Sep 2022

The high-concept, low-satisfaction psychological thriller marks an ambitious upgrade in scope for Wilde from the character-driven coming-of-age…

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Review of The Banshees of Inisherin (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 05 Sep 2022

For all its wit, its lively talk and deceptive lightness, this is arguably the writer-director’s most affecting work…

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Review of Don't Worry Darling (2022)

By David Fear (910) for Rolling Stone (4,035) on 05 Sep 2022

By the time Darling‘s revelations are supposed to double as a call to revolution, you’re left with the sense that you’ve just witnessed…

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Review of House of Darkness (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 05 Sep 2022

LaBute is meticulously escalating the danger by providing Hap his wildest dreams in a way that reveals to the audience how their ability to…

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Review of Don't Worry Darling (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Sep 2022

The movie, whatever its pile of ideas about love, gender constructs, and modern living, never really transcends Stepford mood-board pastiche…

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Review of Empire of Light (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Sep 2022

Colman, her eyes darting between hope and devastation, is so lit-up and specific (and funny, a quality that doesn't seem to get mentioned enough)…

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Review of The Banshees of Inisherin (2022)

By Guy Lodge (731) for Variety (12,700) on 05 Sep 2022

The result feels closer than any of his previous films to the barbed, intimate lyricism of McDonagh’s work as a playwright, and more deeply,…

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Review of Don't Worry Darling (2022)

By Kate Erbland (681) for IndieWire (3,631) on 05 Sep 2022

Wilde and Silberman seem to bank on the raw power of the film’s third-act reveal to make up for the conspicuously predictable plotting of…

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Review of Don't Worry Darling (2022)

By Brian Truitt (541) for USA Today (4,117) on 05 Sep 2022

While there’s a definite “The Stepford Wives” sort of vibe, the narrative themes (which do lean timely) lack subtlety and nuance…

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Review of Don't Worry Darling (2022)

By Richard Lawson (539) for Vanity Fair (761) on 05 Sep 2022

Director Olivia Wilde has made an obvious and intermittently entertaining sci-thriller, one that borrows heavily from many better things but…

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Review of The Banshees of Inisherin (2022)

By Richard Lawson (539) for Vanity Fair (761) on 05 Sep 2022

Those wary of McDonagh after the bulldozer that was Billboards should seek out this film; at its best, The Banshees of Inisherin whispers and…

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Review of After Ever Happy (2022)

By Jessica Kiang (522) for Variety (12,700) on 05 Sep 2022

When that final “to be continued…” title appears — and never has a girly, curly typeface looked more like a ransom note — it’s…

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