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Review of Our American Family (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 09 Sep 2022

More than anything, Our American Family gets across how exhausting this kind of life can be, as loved ones waver over whether they should be…

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Review of Moonage Daydream (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 09 Sep 2022

Moonage Daydream is a stunning achievement in editing, cutting across eras and settings not to the rhythm of the music as much the mood of it…

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Review of Decision to Leave (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 09 Sep 2022

To this viewer, it develops into a pretty nifty piece of genre work, a thriller that’s expertly made even if it doesn’t quite hum like…

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Review of See How They Run (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 09 Sep 2022

Mark Chappell’s script has a refreshingly high laugh-rate as these things go, with a seam of pure English silliness that sets it well apart…

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Review of Barbarian (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Sep 2022

Dancing across multiple themes and frequently upending expectations, Barbarian keeps us wonderfully uncertain about where it’s going —…

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Review of The Inspection (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Sep 2022

Bratton’s depth of feeling elevates the material, suggesting that, for the filmmaker, there’s something intensely cathartic and therapeutic…

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Review of Pinocchio (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 09 Sep 2022

The Blue Fairy may have brought life to Pinocchio, but no one here is delivering anything particularly fresh. Or alarming…

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Review of Pinocchio (2024)

By John Anderson (1,358) for Wall Street Journal (3,071) on 09 Sep 2022

The Blue Fairy may have brought life to Pinocchio, but no one here is delivering anything particularly fresh. Or alarming…

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Review of Weird: The Al Yankovic Story (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 09 Sep 2022

Eric Appel’s Weird: The Al Yankovic Story is relentlessly silly, wholesome at heart and so stuffed with cameos it might give you the idea…

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Review of Pinocchio (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 09 Sep 2022

The result is a muddled mixture, offering some moments of exuberance and humor without ever being singular or exceptional…

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Review of Pinocchio (2024)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 09 Sep 2022

The result is a muddled mixture, offering some moments of exuberance and humor without ever being singular or exceptional…

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Review of House of Darkness (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 09 Sep 2022

With his latest film, “House of Darkness,” LaBute tries something similar to The Wicker Man…

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Review of Barbarian (2022)

By Compi24 (1,147) on 09 Sep 2022

The Whitest Kids U' Know's Zach Cregger is reintroduced to the general moviegoing public by way of Barbarian, a refreshingly unpredictable…

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Review of End of the Road (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 09 Sep 2022

Director and cast do their best — well, maybe not their best, but their competent professional duty — with a formulaic, contrived screenplay…

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Review of See How They Run (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 09 Sep 2022

See How They Run is not quite so self-regarding as Tom Stoppard’s The Real Inspector Hound, but See How They Run is a delightful, shamelessly…

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Review of Crimes of the Future (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 09 Sep 2022

The picture doesn’t reach out and grab you. It doesn’t fling viscera in your face…

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Review of Clerks III (2022)

By Matt Donato (975) for IGN (1,013) on 09 Sep 2022

Clerks III delivers all the inappropriate cuss-cluttered humor and pot smoke that is Kevin Smith's trademark but evolves his sentimentality…

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Review of The Inspection (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Sep 2022

There’s brutality but also an understated hint of poetry in the way Bratton tells his story from deep inside it, making beautiful use of…

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Review of Weird: The Al Yankovic Story (2022)

By David Fear (910) for Rolling Stone (4,035) on 09 Sep 2022

It’s not exactly the second coming of Walk Hard, though it’s the best Weird Al movie since UHF [cue laugh track and maybe a Whoppee Cushion…

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Review of Both Sides of the Blade (2022)

By David Jenkins (910) for Little White Lies (3,136) on 09 Sep 2022

There was never a question of whether this would be a great movie, but the pleasant surprise is that it is, in fact, a very great one…

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